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LUCKY JIM

A finely written, painful, but profound book.

A former business executive tells the moving story of his rise from poverty to privilege and the secrets that haunted—and almost destroyed—his life.

Hart (Milding, 2004) met future wife Carly Simon on a chance train ride to New York City. He had not known who Simon was, only that he was profoundly attracted to her. A former seminarian, the author was a divorced insurance salesman and sober alcoholic with a mentally challenged son. His early life had been marred by the alcoholism and violence of a father whose “rages were as unpredictable as the Atlantic,” and Catholicism had been his refuge. Simon, by contrast, lived a glamorous life as a famous recording artist who had been married to singer James Taylor and romanced by countless other stars, as well as the daughter of Simon & Schuster co-founder Richard Simon. Despite their differences and the fact that the author, who bore a striking resemblance to Taylor, sometimes felt like a replacement for him, they married six months after they met. For Hart, the main challenge was acclimating to privilege and his sudden acquisition of the financial and emotional support he needed to pursue his dream of writing a novel. He soon discovered that his underlying attraction to men was also an issue, but one he could not face. Painful fissures appeared in his marriage to Simon and in his life; prescription painkillers, hookups with gay men, and crack cocaine became his modes of escape. Two decades after it began, his marriage ended, and he was forced to confront three painful truths: that he was an addict and homosexual who had failed the son he could not bring himself to love. In this searching, honest, and emotionally nuanced narrative, Hart navigates the struggle with his personal demons and the celebrity world with which he unexpectedly became enmeshed with elegance, grit, and artistry. The result is memoir that makes for exceptionally poignant, lyrical reading.

A finely written, painful, but profound book.

Pub Date: April 11, 2017

ISBN: 978-1-62778-214-2

Page Count: 240

Publisher: Cleis

Review Posted Online: Jan. 23, 2017

Kirkus Reviews Issue: Feb. 1, 2017

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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