by James Kahn ‧ RELEASE DATE: May 4, 2025
The engaging story of a doctor’s unlikely connection to some iconic films.
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A medical doctor, bestselling novelist, and Hollywood insider shares details from his eclectic life.
Kahn grew up in Illinois as the son of a general practitioner, and his interests have always been divided between medicine (which he describes as “a kind of sorcery”) and writing stories. After completing his medical internship, he took a year off to pen his first novel, Diagnosis: Murder (1980) about a crime-solving doctor. Later, while working as an emergency-room doctor at St. John’s Hospital in Santa Monica, California, Kahn met with film producer Kathleen Kennedy, who needed an expert medical opinion on a movie she was working on with director Steven Spielberg: E.T. the Extra-Terrestrial (1982). From there, Kahn’s life would be split between his career as a physician and his work on Hollywood productions. Spielberg would subsequently invite him to write the novelization of another blockbuster film he produced—Poltergeist (1982)—which set the stage for a once-in-a-lifetime opportunity when he was later asked to novelize the final film of the original Star Warstrilogy, Return of the Jedi (1983). Kahn’s highly approachable remembrance is full of engrossing stories about his work as an M.D., his stints as a screenwriter for multiple television shows, and his side gig as a folk musician who released six albums.However, his work on Jedi takes center stage; not only did he bear the pressure of producing a novelization for what was perhaps the most anticipated movie of all time, but he also had to do so without having seen the final film—including its most iconic scene, in which Luke Skywalker finds out the truth about Darth Vader. The memoir explicitly tailors its behind-the-scenes vignettes to Star Wars fans, pulling back the curtain on the production of Jedi and blending Luke’s heroic journey with Kahn’s own life as he came into his own as both a writer and a physician.
The engaging story of a doctor’s unlikely connection to some iconic films.Pub Date: May 4, 2025
ISBN: N/A
Page Count: -
Publisher: BearManor Media
Review Posted Online: Aug. 14, 2025
Kirkus Reviews Issue: Oct. 1, 2025
Review Program: Kirkus Indie
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by Stephanie Johnson & Brandon Stanton illustrated by Henry Sene Yee ‧ RELEASE DATE: July 12, 2022
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
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New York Times Bestseller
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
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by Brandon Stanton photographed by Brandon Stanton
by Kamala Harris ‧ RELEASE DATE: Sept. 23, 2025
A determined if self-regarding portrait of a candidate striving to define herself and her campaign on her own terms.
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New York Times Bestseller
An insider’s chronicle of a pivotal presidential campaign.
Several months into the mounting political upheaval of Donald Trump’s second term and following a wave of bestselling political exposés, most notably Jake Tapper and Alex Thompson’s Original Sin on Joe Biden’s health and late decision to step down, former Vice President Harris offers her own account of the consequential months surrounding Biden’s withdrawal and her swift campaign for the presidency. Structured as brief chapters with countdown headers from 107 days to Election Day, the book recounts the campaign’s daily rigors: vetting a running mate, navigating back-to-back rallies, preparing for the convention and the debate with Trump, and deflecting obstacles in the form of both Trump’s camp and Biden’s faltering team. Harris aims to set the record straight on issues that have remained hotly debated. While acknowledging Biden’s advancing decline, she also highlights his foreign-policy steadiness: “His years of experience in foreign policy clearly showed….He was always focused, always commander in chief in that room.” More blame is placed on his inner circle, especially Jill Biden, whom Harris faults for pushing him beyond his limits—“the people who knew him best, should have realized that any campaign was a bridge too far.” Throughout, she highlights her own qualifications and dismisses suggestions that an open contest might have better served the party: “If they thought I was down with a mini primary or some other half-baked procedure, I was quick to disabuse them.” Facing Trump’s increasingly unhinged behavior, Harris never openly doubts her ability to confront him. Yet she doesn’t fully persuade the reader that she had the capacity to counter his dominance, suggesting instead that her defeat stemmed from a lack of time—a theme underscored by the urgency of the book’s title. If not entirely sanguine about the future, she maintains a clear-eyed view of the damage already done: “Perhaps so much damage that we will have to re-create our government…something leaner, swifter, and much more efficient.”
A determined if self-regarding portrait of a candidate striving to define herself and her campaign on her own terms.Pub Date: Sept. 23, 2025
ISBN: 9781668211656
Page Count: 320
Publisher: Simon & Schuster
Review Posted Online: Sept. 23, 2025
Kirkus Reviews Issue: Nov. 15, 2025
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by Kamala Harris ; illustrated by Mechal Renee Roe
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