An exceptionally thoughtful, searching and intriguing debut.
Science-fiction novel from game designer and story writer Cambias, the first of a projected series.
Like Jupiter’s Europa, Ilmatar is a moon of a giant gas planet. Here, under a roof of ice a kilometer thick and beneath a deep ocean, a team of Earth scientists has established a habitat in order to study the blind, intelligent aliens who resemble giant, lobsterlike, bald otters and whose home is this lightless, frigid, forbidding environment. The explorers have come to an agreement with a six-legged alien race, the Sholen, humanity’s first extraterrestrial contact, not to disturb the Ilmatarans or their habitat. But when media blowhard Henri Kerlerec persuades scientist Rob Freeman to venture out in secret so that Henri can use his new stealth diving suit to film the Ilmatarans up close, the Ilmatarans eventually detect him and, being scientists themselves and not recognizing him as intelligent or alien, dissect him. According to the Sholen, this constitutes interference; having repeatedly ruined their own planet, the Sholen’s misguided and self-appointed mission is to make sure nobody else ruins their planet either, so they order the humans to withdraw. Wary of the older, more advanced Sholen technology, the humans decide on passive resistance. Inevitably, matters slowly escalate into overt violence. More impressive than the worldbuilding, which is based on logical extrapolation, is Cambias’ diligent consideration of the technology required to survive in such an extreme environment. Best of all are the aliens. Ilmataran civilization is based on farming the products of deep-sea hot-water vents, while their perceptions and communications employ sound and pressure waves—although, since oxygen is poisonous to them, it’s difficult to envisage what gives them metabolic power enough to support intelligence. The Sholen behave according to consensus reached through political and sexual bonding.
An exceptionally thoughtful, searching and intriguing debut.Pub Date: Jan. 28, 2014
ISBN: 978-0-7653-3627-9
Page Count: 352
Publisher: Tor
Review Posted Online: Dec. 1, 2013
Kirkus Reviews Issue: Dec. 15, 2013
BOOK REVIEW
A new series starts off with a bang.
A queen and her young daughter are forced to separate and go into hiding when a corrupt politician tries to take over the kingdom.
Queen Cressa of Weirandale is worried about her 8-year-old daughter, the “princella” Cerúlia. The people of Weirandale worship a water spirit, Nargis, who grants each queen a special gift called a Talent. Cressa herself is able to meddle with memories, for example, and her mother possessed supernatural strategic abilities that served her well in battle. Cerúlia, however, appears to have none, because surely her insistence that she can talk to animals is only her young imagination running wild. When Cerúlia’s many pets warn her about assassins creeping into the royal chambers, the girl is able to save herself and her mother. Cressa uses her Talent, which actually extends to forcing anyone to tell her the truth, to root out traitors among the aristocracy, led by the power-hungry Lord Matwyck. Fearing for her daughter’s life and her own, Cressa takes Cerúlia and flees. Thinking Cerúlia will be safer away from her mother, Cressa takes the girl to a kind peasant family and adjusts their memories so they believe Cerúlia is their adopted daughter. Kozloff’s debut is the first of four Nine Realms books, and Tor plans to publish them over just four months. Luckily, the series opener is a strong start, so readers will be grateful for the short wait before Book 2. Kozloff sets a solid stage with glimpses into other characters and nations while keeping the book together with a clear, propulsive plot.
A new series starts off with a bang.Pub Date: Jan. 21, 2020
ISBN: 978-1-250-16854-2
Page Count: 496
Publisher: Tor
Review Posted Online: Sept. 29, 2019
Kirkus Reviews Issue: Oct. 15, 2019
PERSPECTIVES
This brilliant bit of nihilism succeeds where so many self-described transgressive novels do not: It's dangerous because...
Brutal and relentless debut fiction takes anarcho-S&M chic to a whole new level—in a creepy, dystopic, confrontational novel that's also cynically smart and sharply written.
Palahniuk's insomniac narrator, a drone who works as a product recall coordinator, spends his free time crashing support groups for the dying. But his after-hours life changes for the weirder when he hooks up with Tyler Durden, a waiter and projectionist with plans to screw up the world—he's a "guerilla terrorist of the service industry." "Project Mayhem" seems taken from a page in The Anarchist Cookbook and starts small: Durden splices subliminal scenes of porno into family films and he spits into customers' soup. Things take off, though, when he begins the fight club—a gruesome late-night sport in which men beat each other up as partial initiation into Durden's bigger scheme: a supersecret strike group to carry out his wilder ideas. Durden finances his scheme with a soap-making business that secretly steals its main ingredient—the fat sucked from liposuction. Durden's cultlike groups spread like wildfire, his followers recognizable by their open wounds and scars. Seeking oblivion and self-destruction, the leader preaches anarchist fundamentalism: "Losing all hope was freedom," and "Everything is falling apart"—all of which is just his desperate attempt to get God's attention. As the narrator begins to reject Durden's revolution, he starts to realize that the legendary lunatic is just himself, or the part of himself that takes over when he falls asleep. Though he lands in heaven, which closely resembles a psycho ward, the narrator/Durden lives on in his flourishing clubs.
This brilliant bit of nihilism succeeds where so many self-described transgressive novels do not: It's dangerous because it's so compelling.Pub Date: Aug. 1, 1996
ISBN: 0-393-03976-5
Page Count: 192
Publisher: Norton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 1996
BOOK TO SCREEN
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