As if all the complications aren’t enough, Burke, in his latest attempt to outdo himself, ties the Gulf oil spill to art...

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CREOLE BELLE

Great news for readers who feared that Burke had left Iberia Parish Sheriff’s Deputy Dave Robicheaux dying at the end of The Glass Rainbow (2010); Dave and his old friend Clete Purcel are back for an even more heaven-storming round of homicide, New Orleans–style.

No one else sees or hears Cajun singer Tee Jolie Melton when she appears to Dave in the dead of night and leaves behind the gift of an iPad whose playlist includes three of her songs nobody else can find. Maybe Dave’s drug-fevered brain has only imagined her appearance. But there’s no question about what’s become of Tee Jolie’s sister Blue, who washes ashore encased in a bathtub-sized block of ice, dead of a heroin overdose, a note she’s hidden in her mouth announcing, “My sister is alive.” Dave and Clete are swiftly pulled into the disappearance of the two sisters by Bix Golightly, who demands $30,000 from Clete for a 20-year-old gambling marker he bought from gangster Frankie Giacano. Bad move. In short order, Bix, his hired muscle Waylon Grimes and Frankie are all murdered. In fact, Clete actually sees Bix’s executioner, a contract killer code-named Caruso, who, he tells Dave, is actually Gretchen Horowitz, the illegitimate daughter who never knew her father. Clete’s unwanted knowledge of Gretchen’s guilt strains her growing friendship with both Clete and Dave’s daughter Alafair. Balancing the latest chapter of his heroes’ struggles to do the right thing is Burke’s unsparing anatomy of the monstrous Dupree family: Pierre, who owns an ad agency; his estranged wife Varina, Clete’s ex-lover; and Pierre’s grandfather, Alexis, a concentration camp survivor.

As if all the complications aren’t enough, Burke, in his latest attempt to outdo himself, ties the Gulf oil spill to art fraud, sexual slavery and Nazis. A darkly magnificent treat for Dave’s legion of admirers, though not the best place for newcomers to begin.

Pub Date: July 17, 2012

ISBN: 978-1-4516-4813-3

Page Count: 544

Publisher: Simon & Schuster

Review Posted Online: May 29, 2012

Kirkus Reviews Issue: June 15, 2012

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Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

THEN SHE WAS GONE

Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.

Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Pub Date: April 24, 2018

ISBN: 978-1-5011-5464-5

Page Count: 368

Publisher: Atria

Review Posted Online: Feb. 6, 2018

Kirkus Reviews Issue: Feb. 15, 2018

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Amateurish, with a twist savvy readers will see coming from a mile away.

THE SILENT PATIENT

A woman accused of shooting her husband six times in the face refuses to speak.

"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.

Amateurish, with a twist savvy readers will see coming from a mile away.

Pub Date: Feb. 5, 2019

ISBN: 978-1-250-30169-7

Page Count: 304

Publisher: Celadon Books

Review Posted Online: Nov. 4, 2018

Kirkus Reviews Issue: Nov. 15, 2018

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