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DIXIE CITY JAM

A Nazi U-boat sunk 50 years ago off the Louisiana coast is the catalyst for New Iberia (La.) sheriff's deputy Dave Robicheaux's latest descent into the depths of human nature. Knowing that Dave had found the boat as a boy, drugstore mogul Hippo Bimstine offers him $10,000 to locate it again for salvage. Dave refuses but changes his mind (and ups the price) when he needs money to beat a bum murder rap facing his hired hand, Batist Perry: The rap is being pressed by vindictive New Orleans vice cop Nate Baxter, who is determined to get back at Dave and his PI buddy Clete Purcel. Dave's plan works — it convinces Nate's hard-nosed black sergeant, Lucinda Bergeron, to give information that puts Batist back on the street — but at a terrible price: Dave soon finds himself fighting against sinister club owners Max and Bobo Calucci, who want Clete's girlfriend to work out of taxicabs, and Tommy Lonighan, a typically reflective Burke villain (Dave: "I shouldn't have hit him.... He's a tormented man. The guy's got a furnace in his head") who's dying of prostate cancer but refuses to roll over on the Calucci brothers. But Dave's biggest troubles are still ahead: Magnetic neo-Nazi Will Buchalter (called in by Tommy? by the Caluccis?), determined to locate the U-boat ahead of Hippo, terrorizes Dave's wife, Bootsie, kidnaps and tortures Dave, and keeps disappearing into the sunset after executing his accomplices — all while Max and Bobo are contracting an off-limits kill and Dave's wrestling with Lucinda Bergeron and her main-chance son, Zoot, over the best way to nail the bad guys, avoid selling out, and maybe stay alive. Dave's adventures are usually dominated by a single violent, charismatic heavy. In squeezing Hippo, Tommy, the Caluccis, Will, and Dave himself into one book, Burke cuts himself off from the concentrated power of the masterly In the Electric Mist with Confederate Dead (1993) but multiplies the possibilities of cathartic violence — and produces his darkest, densest novel yet.

Pub Date: Aug. 4, 1994

ISBN: 0-7868-6019-7

Page Count: 352

Publisher: Hyperion

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 1, 1994

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CARRIE

King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these...

Figuratively and literally shattering moments of hoRRRRRipilication in Chamberlain, Maine where stones fly from the sky rather than from the hands of the villagers (as they did in "The Lottery," although the latter are equal to other forms of persecution).

All beginning when Carrie White discovers a gift with telekinetic powers (later established as a genetic fact), after she menstruates in full ignorance of the process and thinks she is bleeding to death while the other monsters in the high school locker room bait and bully her mercilessly. Carrie is the only child of a fundamentalist freak mother who has brought her up with a concept of sin which no blood of the Lamb can wash clean. In addition to a sympathetic principal and gym teacher, there's one girl who wishes to atone and turns her date for the spring ball over to Carrie who for the first time is happy, beautiful and acknowledged as such. But there will be hell to pay for this success—not only her mother but two youngsters who douse her in buckets of fresh-killed pig blood so that Carrie once again uses her "wild talent," flexes her mind and a complete catastrophe (explosion and an uncontrolled fire) virtually destroys the town.

King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these youngsters who once ate peanut butter now scrawl "Carrie White eats shit." But as they still say around here, "Sit a spell and collect yourself."

Pub Date: April 8, 1974

ISBN: 0385086954

Page Count: 216

Publisher: Doubleday

Review Posted Online: Sept. 26, 2011

Kirkus Reviews Issue: April 1, 1974

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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