Richly drawn characters behaving in unexpected ways make Meek’s (We are Now Beginning our Descent, 2008, etc.) latest a gem.

THE HEART BROKE IN

Scientists may have some luck in explaining how our bodies function and malfunction, but who can tell the ways of the heart?

Some 25 years ago, Capt. Greg Shepherd was captured and shot by Northern Irish guerrillas. His death has infected his children’s hearts like a parasite, leading them into the bleaker frontiers of love. Ritchie Shepherd, an aging rock star, has a good family: a wife, Karin, and two children. Yet Ritchie’s moral compass is contaminated, as his affair with a 15-year-old girl testifies. Ritchie’s sister, Bec, is a researcher in Tanzania, who finds her blood colonized by a new parasite, which may hold the key to a malaria vaccine, and which she names after her father. Her rather accidental fiance, Val, is a powerful yet emotionally unbalanced newspaper editor. Realizing that she does not love Val, Bec tries to right the moral ship by returning her engagement ring, but she unwittingly sets in motion a course of betrayal. Val offers Ritchie a devil’s bargain: He can keep his pedophiliac secret if he exposes something just as damaging about Bec. Struggling to find his way out of the moral swamp, Ritchie delves into the past. He begins a documentary on Colum Donobhan, the man who shot his father, a man who may be harboring more secrets about Capt. Shepherd’s death. Grieving that her vaccine for malaria is a failure, Bec returns to London and finds Alex, who has secretly loved her for years. A brilliant cancer researcher, Alex has his own troubles, including his Uncle Harry’s cancer diagnosis. He and Harry have made careers out of explaining how cancer cells behave, but neither of them can predict the consequences of following one's heart.

Richly drawn characters behaving in unexpected ways make Meek’s (We are Now Beginning our Descent, 2008, etc.) latest a gem.

Pub Date: Oct. 2, 2012

ISBN: 978-0-374-16871-1

Page Count: 416

Publisher: Farrar, Straus and Giroux

Review Posted Online: Aug. 14, 2012

Kirkus Reviews Issue: Sept. 1, 2012

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Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

THEN SHE WAS GONE

Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.

Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Pub Date: April 24, 2018

ISBN: 978-1-5011-5464-5

Page Count: 368

Publisher: Atria

Review Posted Online: Feb. 6, 2018

Kirkus Reviews Issue: Feb. 15, 2018

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Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

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THE VANISHING HALF

Inseparable identical twin sisters ditch home together, and then one decides to vanish.

The talented Bennett fuels her fiction with secrets—first in her lauded debut, The Mothers (2016), and now in the assured and magnetic story of the Vignes sisters, light-skinned women parked on opposite sides of the color line. Desiree, the “fidgety twin,” and Stella, “a smart, careful girl,” make their break from stultifying rural Mallard, Louisiana, becoming 16-year-old runaways in 1954 New Orleans. The novel opens 14 years later as Desiree, fleeing a violent marriage in D.C., returns home with a different relative: her 8-year-old daughter, Jude. The gossips are agog: “In Mallard, nobody married dark....Marrying a dark man and dragging his blueblack child all over town was one step too far.” Desiree's decision seals Jude’s misery in this “colorstruck” place and propels a new generation of flight: Jude escapes on a track scholarship to UCLA. Tending bar as a side job in Beverly Hills, she catches a glimpse of her mother’s doppelgänger. Stella, ensconced in White society, is shedding her fur coat. Jude, so Black that strangers routinely stare, is unrecognizable to her aunt. All this is expertly paced, unfurling before the book is half finished; a reader can guess what is coming. Bennett is deeply engaged in the unknowability of other people and the scourge of colorism. The scene in which Stella adopts her White persona is a tour de force of doubling and confusion. It calls up Toni Morrison’s The Bluest Eye, the book's 50-year-old antecedent. Bennett's novel plays with its characters' nagging feelings of being incomplete—for the twins without each other; for Jude’s boyfriend, Reese, who is trans and seeks surgery; for their friend Barry, who performs in drag as Bianca. Bennett keeps all these plot threads thrumming and her social commentary crisp. In the second half, Jude spars with her cousin Kennedy, Stella's daughter, a spoiled actress.

Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

Pub Date: June 2, 2020

ISBN: 978-0-525-53629-1

Page Count: 352

Publisher: Riverhead

Review Posted Online: March 15, 2020

Kirkus Reviews Issue: April 1, 2020

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