A complex, sobering read that lays bare the sordid, damaging compromises of the drug-manufacturing world.
A generational family novel set against the backdrop of the burgeoning pharmaceutical industry.
Murrow’s debut, set in the mid-20th century, centers on the rise of big pharma and the marketing of the medical profession. In an inspired narrative decision, Murrow splits his story between two disparate perspectives. At the novel’s outset, George Parker takes a job as a sales representative for Wolfe-Davies Pharmaceuticals in Chicago, and young Jake Walton, having put himself through medical school, falls out with his stern father, a small-town doctor, and moves his wife and little son Ben to St. Louis. There, he takes a job as a physician for Wolfe-Davies' Medical Affairs Department. Parker’s rise through the company is accompanied by plenty of cynicism; at one point, an insider tells him, “The FDA never sees our experiments or interviews….The FDA only sees the language in the reports we choose to give them when we want their approvals to sell our drugs.” Jake’s introduction to the pharmaceutical world, however, is much more disillusioning; he almost immediately tells his wife that he feels immoral for giving his rubber stamp of approval to Wolfe-Davies products, despite legal risks; “people convicted of falsifying clinical data get prison sentences,” a soulless company hack says. “They’re basically forgers, and forgery is a felony.” Murrow expertly interweaves these two strands of the story together and fleshes them out by also giving readers a dramatic plotline involving a grown-up Ben in the Vietnam War. Murrow writes about the machinations of Parker and his fellow ladder-climbers at Wolfe-Davies with bare-knuckled eloquence. There are no legacies in the business world, one character says as the novel works its way to its touching climax: “People use money to hack trails through whatever’s between themselves and greater riches, and then those trails disappear just like empires, companies, and guys like us do.”
A complex, sobering read that lays bare the sordid, damaging compromises of the drug-manufacturing world.Pub Date: Feb. 8, 2017
ISBN: 978-1-5377-1024-2
Page Count: 360
Publisher: CreateSpace
Review Posted Online: Feb. 8, 2017
Review Program: Kirkus Indie
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
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