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AUDIENCE OF ONE

DONALD TRUMP, TELEVISION, AND THE FRACTURING OF AMERICA

This intelligent eye-opener belongs on the small shelf of valuable books that help explain how Trump created his base.

The chief TV critic of the New York Times sums it up: “Without TV, there’s no Trump.”

In his stellar debut, Poniewozik demonstrates how Trump, over a period of four decades, “achieved symbiosis” with the TV medium: “Its impulses were his impulses; its appetites were his appetites; its mentality was his mentality.” As TV evolved from America’s homogenizer (the three major networks) to fragmenter (cable TV), Trump “used the dominant media of the day—tabloids, talk shows, reality TV, cable news, Twitter—to enlarge himself, to become a brand, a star, a demagogue, and a president.” Recounting how Trump, who was born in 1946, grew up with TV, the author details how he cultivated a famous image and leveraged celebrity, becoming a reality TV star in the 2000s and a politician in the 2010s. “Playing ‘Donald Trump’ became his full-time job.” His telling analyses of Trump’s appearances on The Apprentice, Fox & Friends, and The Howard Stern Show will come as revelations to readers unfamiliar with those programs, on which Trump emerged as an antihero, known for “being real” rather than honest, in the manner of the not “conventionally likeable” people on reality TV. As Poniewozik writes, he “spent a lifetime in symbiosis with television, adopting its metabolism, learning to feed its appetites.” For Trump, cable TV news, with its “constant fear and passion” and need to “agitate their viewers, not settle them,” was a perfect fit. His daily tweeting is based on careful study of his most popular tweets—those provoking “shock, insult, rage.” The author chronicles Trump’s actions against a deeply insightful history of vast changes in the media and popular culture during the period. TV, he writes, proved “the perfect medium for his sensibility, for picking fights, for whipping up people’s hatred and fear and resentment, for taking the express lane around logic.”

This intelligent eye-opener belongs on the small shelf of valuable books that help explain how Trump created his base.

Pub Date: Sept. 10, 2019

ISBN: 978-1-63149-442-0

Page Count: 304

Publisher: Liveright/Norton

Review Posted Online: June 29, 2019

Kirkus Reviews Issue: July 15, 2019

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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