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CAUGHT IN A TORNADO

A CHINESE-AMERICAN WOMAN SURVIVES THE CULTURAL REVOLUTION

Ross (Journalism/Northwestern; Escape to Shanghai, not reviewed) tells the story of Wen Zangde (1900-88), whose extraordinary life mirrored the vicissitudes of 20th-century Chinese history. Wen was born to Chinese immigrant parents in San Francisco, where, as a child, she met Dr. Sun Yatsen, who was later to become president of China upon the overthrow of Manchu rule. In 1914 Wen went to college in Beijing. She remained, married, and moved in high society and government circles with her banker husband. In the early '30s, fleeing the Japanese occupation, they moved with their children to Hong Kong; after Hong Kong itself fell to the Japanese during WW II, Wen took her children back to China, where she had to deal with armed Chinese bandits and Japanese soldiers. She fled again to Hong Kong after the Nationalists were defeated by the Communists; but her admiration for Zhou Enlai (and her husband's infidelities) led her to return to Shanghai, where she taught English at the prestigious Foreign Languages Institute School. Ross devotes the second half of his book to her ten years of humiliation, imprisonment, and beatings at the hands of the Red Guard during the Cultural Revolution (1966-76). Wen was accused of using nonproletarian language in her lectures (e.g., describing a woman as ``beautiful'') and of spying for her husband's Nationalist newspaper in Hong Kong. She refused to confess to being a spy and was released in 1976. Wen, who spent her final years in Oakland, Calif., emerges as a model of heroic stoicism—but she also remains somewhat distant. Ross sticks to the epic and to the historical. Readers may want to know more of her inner life, especially her feelings about her marriage, China itself, and her sufferings. Still, a solid account of one woman's remarkable physical and moral endurance.

Pub Date: June 30, 1994

ISBN: 1-55553-192-X

Page Count: 168

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 15, 1994

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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