Tune in to find out. Literature it’s not—more like an industrial product that sort of looks like it, in the same way that a...
Mash up Lovecraft and Ludlum, stir in exotic geography and lashings of mad science, and you’ve got the latest from the Rollins (Bloodline, 2012, etc.) pop-thriller factory.
Given that half of adult Americans reportedly don’t believe in evolution, it’s daring to open in the chart room of the HMS Beagle, with Charles Darwin pondering an “ancient Fuegian map” redolent of dark, unsettling mysteries. Move forward a couple of centuries, and we’re with the steely-jawed Painter Crowe, Defense Advanced Research Projects Agency commando par excellence (and who knew DARPA had commandos?), who takes time out from protecting the world from technological mayhem only long enough to ogle his whip-smart fiancee, “to appreciate the curve of her backside, the angle of her hip, the length of her leg.” She may be the captain of the chess club we’d all like to join, but she’s got the right stuff, like all of Sigma Force, to protect us from evil—until, that is, supreme bad guy Cutter Elwes returns from the grave where he’s presumably been, well, not living for a dozen-odd years to do that voodoo that he does so well. He’s very, very bad—we know because he's “French on his father’s side”—but he’s not the only scientist to be tinkering with the innermost workings of nature, attempting to undo all that we know of the laws of Darwinian evolution by, say, bringing extremely irritable creatures back from extinction and unleashing biological mayhem on an unsuspecting world. Cutting-edge science and mad dashes to D.C., Antarctica and highland Brazil notwithstanding, this is a good old-fashioned dust-up, the cliffhanging question being always whether the good guys of the public sector will prevail over the bad guys of the private.
Tune in to find out. Literature it’s not—more like an industrial product that sort of looks like it, in the same way that a fast-food burger resembles food. Still, it’s plenty tasty, if not very nutritious.Pub Date: Aug. 12, 2014
ISBN: 978-0-06-178481-1
Page Count: 448
Publisher: Morrow/HarperCollins
Review Posted Online: July 29, 2014
Kirkus Reviews Issue: Aug. 15, 2014
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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