This one’s fast-moving fun.
A plague threatens to burst from the Congolese jungle and infect the world in the latest bloodcurdling adventure in the Sigma Force series.
“Stay away. Dear God, don’t come out here”: That's the warning ignored by Sigma Force’s Tucker Wayne and his faithful soldier dog, Kane. Near Kisangani, “the literal heart of Africa,” a fearful contagion runs amok. Scientists and locals suffer attacks from crazed ants, bats, and myriad other jungle fauna. Some of the populace becomes nearly catatonic—what’s going on? The answer appears to be viruses, those half-living creatures said to outnumber all the stars in the universe. An infected moth lands on skin with bloodcurdling effect. Baboons go crazy and tear people apart. Ants develop spikes, as though their mandibles aren’t enough for ripping into flesh. The normally cranky hippos are even crankier. And “the deeper we go, the worse it will get.” The evil mining CEO Nolan De Coster loves all of this—he wants a massive pandemic in which he can become the savior, but he’s not all the good guys have to worry about. Even the flora fight them. They encounter intelligent fungi and angry trees as they get closer and closer to Mfupa Ufalme, the accursed Kingdom of Bones. Thriller readers love ticking clocks, and this yarn has several, like the timer on the mother of all bombs that is going to explode any minute now. The story is a well-mixed blend of action, science, and occasionally over-the-top imagination. That bats are “furry sacks of viruses” is an easy sell—judgmental trees, not so much. Readers will like the characters, especially the brave Kane and Benjamin Frey, the biologist with an eidetic memory and mild Asperger’s. This excursion into the depths of Africa is more enjoyable than Conrad’s Heart of Darkness, although it gets a little gross in spots.
This one’s fast-moving fun.Pub Date: April 19, 2022
ISBN: 978-0-06-289298-0
Page Count: 464
Publisher: Morrow/HarperCollins
Review Posted Online: March 15, 2022
Kirkus Reviews Issue: April 1, 2022
Trust no one in this over-the-top tale of deception and revenge.
Dead bodies turn up in the first sentence of the prologue in McFadden’s latest domestic thriller.
The mystery of who died is at the pulsating heart of this propulsive tale. As Chapter 1 begins, Naomi arrives home to find the locks changed on the front door of the gorgeous home she shares with her husband, Jeremy, and their 5-year-old son, Teddy. Jeremy steps out the front door and convinces Naomi to move out while he has their home renovated, a plan Naomi knows nothing about. It’s all a ruse, though, as the next day Jeremy tells her he wants a divorce. Naomi is shellshocked and soon discovers that Jeremy is having an affair with Veronica, a beautiful younger woman. What seems at first like a stereotypical story about a man who leaves his wife turns into something else when Naomi decides she’ll do anything to get Veronica away from Jeremy and Teddy, and Veronica decides to fight for what she thinks she deserves. Fans of stalker novels will cringe with delight as creepy things start to happen. Teddy’s stuffed elephant, a gift from Veronica, is found impaled on a kitchen knife; Naomi suspects Jeremy is gaslighting her and that Veronica tried to poison her. A weird confrontation among Jeremy, Veronica, and Naomi at Teddy’s birthday party, to which Naomi shows up uninvited, is priceless. There are three main characters, and any or all of them may be unreliable narrators. Packing the plot with dark, gasp-inducing twists, McFadden outdoes herself in a story about how highly emotional people engage in risky behavior to get what they want—but in this novel, for better or worse, not everyone will survive.
Trust no one in this over-the-top tale of deception and revenge.Pub Date: May 26, 2026
ISBN: 9781464249631
Page Count: 368
Publisher: Poisoned Pen
Review Posted Online: April 20, 2026
Kirkus Reviews Issue: May 15, 2026
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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