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TRUST NO ONE

Fans of Dan Brown and Clive Cussler will love this book.

A modern-day thriller rooted in ancient alchemy.

Attackers slit a woman’s throat in Norway as her captive husband refuses to divulge the location of a unique book. The man was the Twelfth Keeper of the strange tome, which he’s already spirited away to the Thirteenth Keeper, a professor at the University of Exeter in England. Fearing he will be discovered, the professor urgently passes it to Sharyn Karr, an American graduate student in witchcraft. (Yes, that’s a real thing.) She must take the book, never open it, and keep it safe. “Trust no one,” he admonishes. Soon after, the professor is found in the Old Library with a dagger in his heart. The book has quite a provenance: It’s the work of 18th-century alchemist Comte de Saint-Germain, “a man who does not die, and who knows everything.” Initially entrusted to a woman close to Marie Antoinette, its pages are “suffused with a combustible elixir” that will ignite should anyone attempt to force it open. It’s so important because it contains a map and three adages that contain the secret to immortality. The Confrérie, or Brotherhood, are willing to kill for a secret that extends life and betters the human condition. (Wait, what?) The object of their lust is bound in copper and leather, with a mysterious, intricately decorated crystalline orb that locks it. So Karr and a few friends—whom she trusts despite the warning—go on the run. “For truth be told,” she muses, “what harm could come from a book?” Certainly none from this enjoyable, high-energy thriller, but likely death from possessing Saint-Germain’s combustible creation. The friends go to the Tower of London, brave a fierce blizzard in Italy, and find ancient, disused caves in the Dolomite mountains, but their enemies know where to look. One of the scoundrels is a cardinal from the Vatican, bless his heart. Readers will like the raven that’s fed blood-soaked biscuits and the lynx that enters the fray.

Fans of Dan Brown and Clive Cussler will love this book.

Pub Date: Feb. 24, 2026

ISBN: 9780063413238

Page Count: 432

Publisher: Morrow/HarperCollins

Review Posted Online: Jan. 19, 2026

Kirkus Reviews Issue: Feb. 15, 2026

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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  • New York Times Bestseller

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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THE UNKNOWN

This thriller’s eerie mood is deflated by a plot with more holes than a Halloween sheet.

Could making a movie about the disappearance of five women from an island reawaken an evil presence there?

Five dresses hang from the topmost limbs of an oak on a remote island in a Vermont lake. That memorable image marks a mystery from a century ago, when five women believed to have been part of a commune vanished forever. As this novel opens, another group gathers on the island to make a movie based on that tale. Marin Keane, the narrator, is surprised but thrilled to find herself cast as one of the leads; she’s a struggling actor whose biggest part so far has been “Bridesmaid with Eczema” in a drug commercial, so playing Daisy Rue, whose haunting diary is the basis for the movie’s script, could be a career-making move. Ronan Peters, the writer-director, is talented and, Marin notes, hot. His reason for gathering the cast on the island is a kind of boot-camp rehearsal: They’ll spend a week living there, wearing period clothes, and managing without internet or phone service. Oh, and holding séances. What could go wrong? Marin quickly meets the other women in the cast: regal character actor Julianne Brown, cool and competent Heather Benchley, bratty former Disney star Susie Hutchinson, and, striking awe in all of them, Violet Wright, a much-awarded Meryl Streep-ish figure who will play the woman who brought the others to the island, which she owned. They get to work, but soon enough someone disappears. The book’s plot, like the movie’s script, largely follows Daisy’s journal, and since the reader is supplied with pages-long sections of that journal, there’s not much suspense about what will happen next. There are some effective set pieces, such as the group’s first séance. But in its last quarter, the plot collapses into a muddle of #MeToo vengeance, improbable secrets, and jarring character reveals that is, as Marin says, “the most Scooby-Doo thing I’ve ever heard.”

This thriller’s eerie mood is deflated by a plot with more holes than a Halloween sheet.

Pub Date: Aug. 4, 2026

ISBN: 9798217044092

Page Count: 368

Publisher: Dutton

Review Posted Online: June 1, 2026

Kirkus Reviews Issue: July 1, 2026

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