Captures the rhythms of family life but isn’t distinctive enough to stand out from the crowd.
For his third novel (The Colour of Heaven, 2003, etc.), British filmmaker and theater director Runcie chronicles the life and loves of an ordinary Englishman.
Martin Turner is a mere child in 1953 when a deadly storm ravages his island in the Thames estuary. His home is flooded and his beloved mother killed; his fisherman father Len, out dancing with his Aunt Violet, is spared. Throughout the novel Runcie crosscuts among six narrators, and the device works smoothly enough, especially in conveying the horror of the storm. His mother’s death will shape Martin’s character, making him fearful of the sudden loss of love, and his ambitions. “I’m going to stop water,” the boy declares, and he later becomes a water engineer, specializing in coastal erosion. His solitary childhood is supervised by grumpy Len and overbearing Violet, too busy romancing each other to cater to the child’s needs. Things look up in adolescence when his neighbor Linda shows him the wonders of sex; the young lovers break up when Martin becomes a student at Cambridge, where he falls in love with fellow student Claire, to whom he proposes over a Sunday lunch with her family. His character could have used more bold strokes, for Martin makes a poor catalyst for the story, which despite many good touches (smart, credible dialogue; a keen eye for class differences) is hollow at the center. Martin and Claire have a daughter, Lucy. In 1983 the feminist Claire camps out with Lucy at a months-long, women-only, anti-nuke protest. Feeling abandoned, Martin briefly returns to Linda, then reconciles with Claire; he’s less a heel than a ditherer. Here the novel runs out of steam; skeletons concerning Martin’s paternity and an abortion stay in the closet. The wrap-up has Martin attending his dying father.
Captures the rhythms of family life but isn’t distinctive enough to stand out from the crowd.Pub Date: Nov. 1, 2008
ISBN: 978-1-59051-293-7
Page Count: 312
Publisher: Other Press
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 2008
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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