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WHITE STAR

A revenge yarn and thriller that will have readers rolling their eyes—when they're not on the edge of their seats. Assistant US Attorney Owen Gray is not a man to trifle with. As if toting a lawyer's briefcase weren't enough of a burden, Owen also carries a considerable amount of emotional baggage. A Vietnam vet, Owen was the Marine Corp's greatest sniper, who left his namesake signature—a white origami star—next to each of his 96 kills. While this remarkable proficiency earned many honors, Owen sought to put it all behind him in exchange for something resembling a normal life. However, 20 years later, the past comes back like a crimson bolt out of the blue when some recently acquitted federal defendants are plugged in plain view of Owen and dozens of TV cameras by a mysterious sniper. After a little investigation with his NYPD buddy, Detective Pete Coates, they find no gunman, just another mysterious calling card in a red bullet casing. Obviously, someone is trying to tell Owen something. That someone is Nikolai Trusov, the former Soviet Union's answer to White Star. A veteran of several wars, most notably in Afghanistan, Trusov has not fared nearly as well as Owen. He's still got a lot on his head, including a deep bullet wound to the forehead— courtesy of a past brush with Owen back in Nam. Eventually, through a series of skillfully planned events, Trusov sets up a final showdown with Owen on the latter's rugged Idaho home turf. During this relentlessly brutal blood match, we learn a lot of things, including new uses for dying porcupines and dead hippies. But mostly, we learn that Owen can't put his past to rest until he ices the big Russkie lug. As implausible as this whole saga seems, it is carried by Thayer's (Ringer, 1988, etc.) streamlined prose and near-masterful control of detail and setting, which make this a particularly enjoyable and unpredictable read.

Pub Date: March 1, 1995

ISBN: 0-671-79814-6

Page Count: 304

Publisher: Simon & Schuster

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 1, 1995

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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JURASSIC PARK

Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.

Pub Date: Nov. 7, 1990

ISBN: 0394588169

Page Count: 424

Publisher: Knopf

Review Posted Online: Sept. 21, 2011

Kirkus Reviews Issue: Oct. 15, 1990

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