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WHITE-OUT

Marshall (Walkabout, 1984, a YA) gives us an unconventional hero—likable and admirable, if a shade remote. Still, if you’re...

Both stirring and touching, a novel about surviving a gamut of ordeals.

In 1942, a young, adventurous officer in England’s Royal Navy volunteers for a mission that will take him to Antarctica. Lt. James Lockwood thinks he’s part of a task force charged with deploying a secret weather station to play a role in combating submarine warfare, and he’s right, up to that point. But there are secrets within secrets. All that his commander, Captain Ede, will acknowledge is that he has sealed orders—for the mission head’s eyes only. By this time, however, Lockwood has fallen so irrevocably in love with the starkly beautiful land he’s come to that almost everything else is irrelevant. And the fact is the weather station does matter, regardless of what’s being concealed by the Royal Navy. The station’s existence is accidentally discovered. The German U-boat commander who stumbles on it shells it mercilessly, intent on leveling the station and killing all who manned it. Lockwood, elsewhere on assignment, escapes, then finds himself in a Robinson Crusoe position, marooned on 20 million square miles of ice-bound continent, “as effectively cut off from the rest of the world as if he had been on the moon.” Through sheer force of will, dauntless courage, and some luck, he makes it back home—only to be viewed darkly by the British Admiralty. How close, his superiors wonder, did Lockwood get to their hidden agenda? Now, though, with a hidden agenda of his own, he tells them repeatedly: “The past is another country. And I don’t live there any more.”

Marshall (Walkabout, 1984, a YA) gives us an unconventional hero—likable and admirable, if a shade remote. Still, if you’re an environmentalist or, at the very least, a sympathizer, this is a book for you.

Pub Date: Dec. 11, 2000

ISBN: 1-56947-224-6

Page Count: 256

Publisher: Soho

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Oct. 15, 2000

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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DISTANT SHORES

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...

Another middle-aged mom in a muddle.

After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).

Pub Date: July 1, 2002

ISBN: 0-345-45071-X

Page Count: 352

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2002

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