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BLOOD DANCE

A wonderfully written first novel that loses steam halfway through and becomes a mere showcase for stylish atmospherics and craft. Author Brown takes a Greek island so small that it's ignored by all during WW II and makes it the setting not only for a story of passion, the past, and the invincible grip that a small community has on the individual, but a place where pagan beliefs still survive. Telling his story in a variety of voices—a technique that, here, makes the second half somewhat repetitive—he begins and ends with a commentary from the Women and Men, respectively. Like a traditional chorus, they set the scene, hint at what's to come, and provide the concluding wrap-up. Another voice is that of Katina, a refugee from Turkish oppression who came to the island as an archeologist and stayed to marry Grigoris, the last of a noble family. She describes her life as a young wife, widow, and mother of the beautiful and independent Amalia, whose friendship with a Scandinavian tourist precipitates the defining crisis. Like the tourist, Katina has never been accepted by the villagers, who resent strangers and jealously preserve the old ways and customs, some of which date back to pagan times. Nikos, Amalia's island suitor and husband-to-be, takes up the story, adding little except his version of what has come before, followed by Amalia herself, who offers a few snippets of her own, including her reasons for marrying Nikos—the transcending one being her belief ``that love will come as a reward for waiting'' for enduring the losses of her father, her secret lover, and the Scandinavian who promised to take her away with him. Too much a would-be portentous drama, beautifully staged but drained of the vitality that it seemed to promise. Despite suggestive echoes, not another Zorba the Greek.

Pub Date: April 1, 1993

ISBN: 0-15-113214-3

Page Count: 272

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1993

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BETWEEN SISTERS

Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...

Sisters in and out of love.

Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?

Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.

Pub Date: May 1, 2003

ISBN: 0-345-45073-6

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: April 1, 2003

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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