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Based on a True Story

An involving, sentimental yarn of love, secrets, and relationships.

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Four aging, gay male friends reunite over a Thanksgiving holiday, unearthing hidden pasts and a smoldering tragedy in Currier’s (A Gathering Storm, 2014, etc.) novel.

The author’s storytelling gifts are on full display in this tale of melodramatic entanglements between a quartet of 40-something friends as they spend a holiday reminiscing at a bucolic North Carolina mountain cabin. The country setting seems to be just what Scott and his younger partner, Aiden, need, and hosts Tom and Harley welcome them with lively conversation about coming out, old boyfriends, their past lives as college students in the big city, the downsides of aging, and their separate attempts to make peace with the loss of close friends from AIDS (the “ghostly baggage strapped to our backs”). Tom, the book’s narrator, shares his personal story of living through the bleak mid-1980s in New York City as a struggling writer, and of his longtime friendship with Scott, whom he met as a postgrad and dated. They “became better friends than lovers, kindred expatriates of unaccepting Southern families.” Things begin to get dicey when a mutual friend named Neal, a pal from Tom’s college days, is mentioned by Aiden, Scott’s lover and a die-hard Southern California urban dweller with “a clear sense of drama.” The talk reveals Neal’s abusive relationship with Aiden’s nephew Perry, which leads to a vicious plot involving obsession and murder-suicide. The violent, unsettling truth forces Tom to begin writing again and fully embrace the love he feels for Harley. Thankfully, Currier’s slim, satisfying novel isn’t overwritten or mired in exposition. Instead, it gets to the heart of the quartet’s issues quickly, creating a swift, dramatic read with plenty of poignancy regarding the plight of gay men in the age of AIDS. Fans of interpersonal dramatics will find much to savor in Currier’s deceptively simple narrative as intimate histories and close friendships mingle with explosive results. No one emerges from the mountain cabin unscathed.

An involving, sentimental yarn of love, secrets, and relationships.  

Pub Date: Nov. 3, 2015

ISBN: 978-1-937627-04-1

Page Count: 158

Publisher: Chelsea Station Editions

Review Posted Online: Oct. 26, 2015

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LONESOME DOVE

A NOVEL (SIMON & SCHUSTER CLASSICS)

This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.

Pub Date: June 1, 1985

ISBN: 068487122X

Page Count: 872

Publisher: Simon & Schuster

Review Posted Online: Sept. 30, 2011

Kirkus Reviews Issue: May 15, 1985

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DISTANT SHORES

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...

Another middle-aged mom in a muddle.

After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).

Pub Date: July 1, 2002

ISBN: 0-345-45071-X

Page Count: 352

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2002

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