by Jamie Bernstein ‧ RELEASE DATE: June 12, 2018
A cleareyed portrait of a spirited, and troubled, family.
The challenges of living with a flamboyant, self-centered, and brilliant father.
Making her literary debut, broadcaster and filmmaker Bernstein offers an intimate, gossipy, and candid memoir of growing up the eldest child of renowned conductor and composer Leonard Bernstein (1918-1990). When a second-grade classmate called her “famous father girl,” Jamie did not yet feel the impact of her father’s fame; but within a few years, she began to realize what it meant. The “endless parade of triumphs and that blazing energy that overtook every situation could be exhausting to live with,” she recalls. LB, as he was known, “was a daredevil; he loved roller coasters, fast boats, vertiginous ski slopes,” and the author yearned to be just like him rather than like her mother, “the family policeman and Lenny stabilizer.” Family life buzzed with activity and famous visitors: Stephen Sondheim, for one, who started them playing fiercely competitive “cutthroat” anagrams; and the “notoriously imperious” Lauren Bacall, who was their neighbor at the Dakota. Her father’s fame had benefits: With LB, Jamie got to go backstage to meet the Beatles, making her the envy of her friends; and through his connections, she got various jobs and eventually pursued her dream of becoming a rock musician. One summer, working at Tanglewood, where LB had been in the festival’s first conducting class, she heard rumors of his “wild youth,” which included “amorous escapades with other men.” When she confronted LB, he denied the rumors, claiming that “wicked stories” were made up by envious detractors. But a few years later, he fell in love with an assistant, an affair that led to his leaving his wife; “acting exuberantly gay,” he embarked on a new life. Although her mother had known of LB’s homosexuality when they married, this new turn incited grief and depression. Jamie reflects sensitively about her mother, who died of cancer in 1978, and the particular challenges faced by her brother and sister.
A cleareyed portrait of a spirited, and troubled, family.Pub Date: June 12, 2018
ISBN: 978-0-06-264135-9
Page Count: 400
Publisher: Harper/HarperCollins
Review Posted Online: April 2, 2018
Kirkus Reviews Issue: April 15, 2018
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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