A cleareyed portrait of a spirited, and troubled, family.

FAMOUS FATHER GIRL

A MEMOIR OF GROWING UP BERNSTEIN

The challenges of living with a flamboyant, self-centered, and brilliant father.

Making her literary debut, broadcaster and filmmaker Bernstein offers an intimate, gossipy, and candid memoir of growing up the eldest child of renowned conductor and composer Leonard Bernstein (1918-1990). When a second-grade classmate called her “famous father girl,” Jamie did not yet feel the impact of her father’s fame; but within a few years, she began to realize what it meant. The “endless parade of triumphs and that blazing energy that overtook every situation could be exhausting to live with,” she recalls. LB, as he was known, “was a daredevil; he loved roller coasters, fast boats, vertiginous ski slopes,” and the author yearned to be just like him rather than like her mother, “the family policeman and Lenny stabilizer.” Family life buzzed with activity and famous visitors: Stephen Sondheim, for one, who started them playing fiercely competitive “cutthroat” anagrams; and the “notoriously imperious” Lauren Bacall, who was their neighbor at the Dakota. Her father’s fame had benefits: With LB, Jamie got to go backstage to meet the Beatles, making her the envy of her friends; and through his connections, she got various jobs and eventually pursued her dream of becoming a rock musician. One summer, working at Tanglewood, where LB had been in the festival’s first conducting class, she heard rumors of his “wild youth,” which included “amorous escapades with other men.” When she confronted LB, he denied the rumors, claiming that “wicked stories” were made up by envious detractors. But a few years later, he fell in love with an assistant, an affair that led to his leaving his wife; “acting exuberantly gay,” he embarked on a new life. Although her mother had known of LB’s homosexuality when they married, this new turn incited grief and depression. Jamie reflects sensitively about her mother, who died of cancer in 1978, and the particular challenges faced by her brother and sister.

A cleareyed portrait of a spirited, and troubled, family.

Pub Date: June 12, 2018

ISBN: 978-0-06-264135-9

Page Count: 400

Publisher: Harper/HarperCollins

Review Posted Online: April 3, 2018

Kirkus Reviews Issue: April 15, 2018

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If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

THE 48 LAWS OF POWER

The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1998

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The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

NIGHT

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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