Fans of light romance and family reunions will savor this sensitive portrait of love transcending grief.
Lauren Kincaid just wants to escape the public eye, but that isn't so easy as the widow of Rory, an NHL hockey player who enlisted in the Army and was killed in action while serving in Iraq. She hopes to gain some privacy to mourn by retreating to her family's beach house on the Jersey shore.
Her privacy is complicated after four years when Lauren’s parents, sister, and 6-year-old nephew arrive for the summer. Even worse, attractive filmmaker Matt Brio, determined to make a documentary about Rory, wants to interview Lauren before he loses funding. Although Matt, too, admires Rory, he suspects that there may be more to the story of an American saint than his heroism. Unearthing revelations about a man everyone adored and no one wants to malign proves difficult. Eventually, Lauren and her sister agree to cooperate, and Matt’s interviews expose several skeletons in Rory’s closet. Toggling between Lauren’s new life—a life she keeps too busy to dwell on the past—and flashbacks to her buried memories of Rory, Brenner (The Forever Summer, 2017, etc.) empathetically portrays a fragile woman hiding secrets from herself. In Lauren’s memory, they were the perfect couple, high school sweethearts. Rory was the star hockey player, a junior who spotted a shy, pretty sophomore girl running track and fell in love. Though they were inseparable in high school, Rory pushed Lauren away for a brief period during college so he could concentrate on academics and hockey at Harvard, where he generated a lot of interest, landing him a place with the L.A. Kings. Reunited after college, they moved to California, and although Lauren supported him, Rory struggled to gain ice time. His abrupt decision to enlist terrified Lauren but came as no surprise to Rory’s beloved older brother, Emerson. Brenner deftly orchestrates the painful peeling away of Lauren’s memories, and just when it seems that Lauren is simply a heartbroken widow, questions surface: Why does Emerson hold a grudge against her? Why didn’t Lauren know Rory was going to volunteer for a second tour? Only an unflinching look at the truth will let Lauren move on and, perhaps, find a new life.
Fans of light romance and family reunions will savor this sensitive portrait of love transcending grief.Pub Date: April 24, 2018
ISBN: 978-0-316-39490-1
Page Count: 368
Publisher: Little, Brown
Review Posted Online: Feb. 19, 2018
Kirkus Reviews Issue: March 1, 2018
Characters flip between bottomless self-regard and pitiless self-loathing while, as late as the second-to-last chapter, yet...
Four Chicago sisters anchor a sharp, sly family story of feminine guile and guilt.
Newcomer Lombardo brews all seven deadly sins into a fun and brimming tale of an unapologetically bougie couple and their unruly daughters. In the opening scene, Liza Sorenson, daughter No. 3, flirts with a groomsman at her sister’s wedding. “There’s four of you?” he asked. “What’s that like?” Her retort: “It’s a vast hormonal hellscape. A marathon of instability and hair products.” Thus begins a story bristling with a particular kind of female intel. When Wendy, the oldest, sets her sights on a mate, she “made sure she left her mark throughout his house—soy milk in the fridge, box of tampons under the sink, surreptitious spritzes of her Bulgari musk on the sheets.” Turbulent Wendy is the novel’s best character, exuding a delectable bratty-ness. The parents—Marilyn, all pluck and busy optimism, and David, a genial family doctor—strike their offspring as impossibly happy. Lombardo levels this vision by interspersing chapters of the Sorenson parents’ early lean times with chapters about their daughters’ wobbly forays into adulthood. The central story unfurls over a single event-choked year, begun by Wendy, who unlatches a closed adoption and springs on her family the boy her stuffy married sister, Violet, gave away 15 years earlier. (The sisters improbably kept David and Marilyn clueless with a phony study-abroad scheme.) Into this churn, Lombardo adds cancer, infidelity, a heart attack, another unplanned pregnancy, a stillbirth, and an office crush for David. Meanwhile, youngest daughter Grace perpetrates a whopper, and “every day the lie was growing like mold, furring her judgment.” The writing here is silky, if occasionally overwrought. Still, the deft touches—a neighborhood fundraiser for a Little Free Library, a Twilight character as erotic touchstone—delight. The class calibrations are divine even as the utter apolitical whiteness of the Sorenson world becomes hard to fathom.
Characters flip between bottomless self-regard and pitiless self-loathing while, as late as the second-to-last chapter, yet another pleasurable tendril of sisterly malice uncurls.Pub Date: June 25, 2019
ISBN: 978-0-385-54425-2
Page Count: 544
Publisher: Doubleday
Review Posted Online: March 3, 2019
Kirkus Reviews Issue: March 15, 2019
SEEN & HEARD
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
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