STANDOFF

RACE, POLICING, AND A DEADLY ASSAULT THAT GRIPPED A NATION

A nail-biting and nuanced true-life police procedural.

An absorbing account of a 2016 ambush that left five Dallas police officers dead.

Based on hundreds of hours of interviews, Texas journalist Thompson chronicles the events before, during, and after July 7, 2016, when a disaffected man acting alone murdered five Dallas police officers and terrorized an entire city before being stopped. The author, who covered the shooting for the Washington Post and, later, the Dallas Morning News, avoids discussing the murderer until more than 200 pages into the narrative. Instead, she focuses on law enforcement and civilians who entered the line of fire, explaining why and how they converged on downtown Dallas on that fatal night. Large crowds had gathered to protest against police in various cities killing civilians without cause, especially black men. The death of Philando Castile in Minnesota had especially angered the protesters. Of all the major characters, Senior Cpl. Larry Gordon is the most memorable. A black officer and negotiator on the Dallas SWAT team, his specialty is to talk to holed-up criminals, citizens contemplating suicide, and any others within his jurisdiction who could be persuaded with words. Gordon seems ideal for his specific task due in large part to his empathy and his understanding of the complex racial undercurrents involved in police work, both of which are on full display throughout the text. As Thompson also makes clear, Gordon does not automatically cover for his brethren; he is unafraid to call out injustice when he sees it. Throughout the book, the author deftly weaves Gordon’s opinions and experiences with those of her other significant characters, including Mayor Mike Rawlings, Chief David Brown, trauma surgeon Brian Williams, public transit police officer Misty McBride, and protester Shetamia Taylor, who was shot in the leg by the perpetrator. Thompson's storytelling gift allows her to maintain suspense despite the outcome being known in advance.

A nail-biting and nuanced true-life police procedural. (photo insert)

Pub Date: Sept. 22, 2020

ISBN: 978-1-250-20421-9

Page Count: 320

Publisher: Henry Holt

Review Posted Online: April 11, 2020

Kirkus Reviews Issue: May 1, 2020

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  • National Book Award Finalist

KILLERS OF THE FLOWER MOON

THE OSAGE MURDERS AND THE BIRTH OF THE FBI

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

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Greed, depravity, and serial murder in 1920s Oklahoma.

During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Pub Date: April 18, 2017

ISBN: 978-0-385-53424-6

Page Count: 352

Publisher: Doubleday

Review Posted Online: Feb. 1, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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  • New York Times Bestseller

TANQUERAY

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

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  • New York Times Bestseller

A former New York City dancer reflects on her zesty heyday in the 1970s.

Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

Pub Date: July 12, 2022

ISBN: 978-1-250-27827-2

Page Count: 192

Publisher: St. Martin's

Review Posted Online: July 27, 2022

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