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TOUCHING MY FATHER’S SOUL

A SHERPA’S JOURNEY TO THE TOP OF EVEREST

Essential reading for mountaineers, both actual and armchair.

A journey to the top of the world and the soul of a family.

Norgay, climbing leader of David Breashears’s IMAX expedition, shares both his story of adventure and an intimate portrait of his search for his father, Tenzing Norgay. The elder Norgay and Sir Edmund Hillary were the first to reach the summit of Mount Everest in 1953, and the emotional core of the story concerns the author’s construction of a connection with his deceased father by recreating his historic achievement. The family elements don’t stand in the way of the genuine adventure of Norgay’s account, however, as the drama unfolds on the deadly terrain of Everest, where a sudden storm or a slight slip-up can easily result in many deaths. (The terrain is gruesomely littered with the frozen corpses of men who had tried and failed to make the ascent with previous expeditions, and some of them were very close to the author’s own camps.) Norgay and coauthor Coburn cover the logistical details of summiting Everest with welcome precision and a clarity that opens the story to a much wider audience than merely the crampon-clad mountaineering herd. Indeed, by weaving the seemingly disparate elements of the IMAX expedition with personal elements of his own life and history, the author’s tale escapes easy generic classification. Whether describing the bouts of edema that afflict the climbers, answering age-old questions about the ways one attends to certain bodily functions atop a mountain, or hinting ever so slightly that his father beat Hillary to the top by a step or two, Norgay’s narrative achieves a deft balance between adventure story and family memoir. Breashears’s IMAX movie combined majestic shots with a gripping story of adventure, foolhardiness, and drive; this is a companion piece fully worthy of the events that inspired it.

Essential reading for mountaineers, both actual and armchair.

Pub Date: May 1, 2001

ISBN: 0-06-251687-6

Page Count: 320

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 2001

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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