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THE MERMAID

Not quite just right but sure to please Brett’s fans.

More “The Three Bears” than “The Little Mermaid,” Brett’s latest picture book was inspired by her visits to Okinawa and the New England Aquarium, where she encountered the Pacific octopus.

The titular mermaid is named Kiniro, and her Japanese-inspired name, dark rather than golden tresses, and East Asian features are links to Brett’s Japanese inspiration for the story. Various illustrative details of the setting and characters’ costuming also seem tied to Japan, but the text is firmly rooted in the very English “The Three Bears.” While swimming with her friend Puffy (a puffer fish), Kiniro happens upon the house of an octopus family. In keeping with the folk-tale source material, Otosan (the father), Okasan (the mother), and Baby, an octopus family, have all gone out, leaving Kiniro to try their breakfast, their chairs, and their beds. In each instance she prefers Baby’s things, and she drifts off to sleep in a clamshell bed. Throughout, Brett’s signature sidebar illustrations show the octopus family on their outing, each wearing a hat. (A subplot about the octopuses’ hats detracts from the story with superfluous detail.) When they return, they are upset by Kiniro’s intrusion, but Puffy protects her, and they escape with a new friend in tow—a stingray who had been Baby’s hat and which Kiniro replaces with a tiara.

Not quite just right but sure to please Brett’s fans. (Picture book. 3-5)

Pub Date: Aug. 22, 2017

ISBN: 978-0-399-17072-0

Page Count: 32

Publisher: Putnam

Review Posted Online: June 26, 2017

Kirkus Reviews Issue: July 15, 2017

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IF WE WERE DOGS

Perfect for every underdog who wants to have a say.

A dog-loving child encourages a less-than-enthusiastic younger one to imagine they’re both canines.

From the first declaration—“I’d be a big dog! And you’d be a little one!”—readers know who’s calling the shots. Initially, the protagonists cavort off the page and through the neighborhood together, performing doggy capers such as tail wagging, stick carrying, and dirt digging. But by the time they encounter a multitude of like-minded creatures at the dog park, the disgruntled small pup is exhibiting out-and-out rebellion: “Being a dog is YOUR idea! Sometimes I HAVE IDEAS TOO!” The narrative wraps up with the younger child pretending to be a different animal entirely—cleverly foreshadowed through subtle details in the illustrations. Even the endpapers—lively silhouettes of dogs in the beginning and many different animals in closing—extend the theme to suggest the imaginative possibilities of pretend play. Cheerful, lightly hued colors fit the whimsical mood, while expressive body language allows the art to tell the story with a minimum of words. Ending on a surprising note, with a sweet compromise between the two main characters, the tale gives both kids the freedom to embrace their own preferences and styles—while still enjoying their game.

Perfect for every underdog who wants to have a say. (Picture book. 3-5)

Pub Date: Sept. 16, 2025

ISBN: 9780316581721

Page Count: 40

Publisher: Little, Brown

Review Posted Online: May 16, 2025

Kirkus Reviews Issue: June 15, 2025

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GOOD NIGHT OWL

A funny tale about stress and an ever upping ante, with a comforting end.

Something is preventing Owl from falling asleep.

Owl leans back against his white pillow and headboard. “Squeek!” says something underneath the bed. Owl’s never heard that sound before, so he fastens his pink bathrobe and answers the front door. Nobody. It must be the wind; back to bed. Bidding himself goodnight, he climbs into bed—and hears the noise again. Time after time, he pops out of bed seeking the squeaker. Is it in the cupboard? He empties the shelves. Under the floor? He pulls up his floorboards. As Owl’s actions ratchet up—he destroys the roof and smashes the walls, all in search of the squeak—so does his anxiety. Not until he hunkers down in bed under the night sky (his bed is now outdoors, because the house’s roof and walls are gone), frantically clutching his pillow, does he see what readers have seen all along: a small, gray mouse. In simple illustrations with black outlines, textured coloring, and foreshortened perspective, Pizzoli plays mischievously with mouse placement. Sometimes the mouse is behind Owl or just out of his sightline; other times, the mouse is on a solid, orange-colored page across the spread from Owl, which removes him from Owl’s scene in a rather postmodern manner. Is the mouse toying with Owl? Who knows?

A funny tale about stress and an ever upping ante, with a comforting end. (Picture book. 3-5)

Pub Date: April 19, 2016

ISBN: 978-1-4847-1275-7

Page Count: 48

Publisher: Disney-Hyperion

Review Posted Online: Jan. 19, 2016

Kirkus Reviews Issue: Feb. 1, 2016

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