by Jan de Hartog ‧ RELEASE DATE: Nov. 27, 2007
A diminutive masterpiece.
Posthumous love letter to the author’s mother.
Prolific Dutch-born novelist de Hartog (The Outer Buoy: A Story of the Ultimate Voyage, 1994, etc.), who died in 2002, tells the story of a quiet, self-effacingly heroic woman in prose to match. (He never even tells us his mother’s name.) She was in her early 20s when she met and married Arnold de Hartog, a Protestant pastor and theologian two decades her senior who is still remembered for his anti-Nazi agitation and a speech he made in support of the Jews just before the outbreak of World War II. When he died in 1938, two years before the Nazi invasion of Holland, the family was thrown into chaos. Jan’s mother was visiting his older brother in the Dutch East Indies, which was soon captured by the Japanese. It was in an internment camp that the woman who had always seemed to exist to support her fiery husband finally came into her own, displaying a steely strength her sons had never suspected. While imprisoned, she not only provided spiritual succor to her fellow detainees, occasionally in the form of eerily prescient palm readings that earned her the nickname “mischievous saint,” but also brokered a cease-fire between the Dutch army and Indonesian guerrilla fighters who allowed a convoy of sick female prisoners to be carried through the jungle to a Red Cross station. De Hartog heard these stories from others; he only truly began to know his mother for himself 20 years later, when she was diagnosed with stomach cancer. As he despaired, her modest bravery and steadfast faith again sustained him. The book is remarkable not just for its exceptional subject, but also for its portrait of the unsettling process by which an adult child comes at last to know a parent.
A diminutive masterpiece.Pub Date: Nov. 27, 2007
ISBN: 978-0-375-42470-0
Page Count: 112
Publisher: Pantheon
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 2007
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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