A fun, thorough, and considered appreciation of a major pop act.
A wide-ranging cultural study of the Swedish pop icons.
This book by Swedish music journalist Gradvall is comprehensive—he had access to all four ABBA members—but structurally irreverent, taking its cues from Craig Brown’s history-in-fragments method. So rather than start with biographies of each member (songwriters Björn Ulvaeus and Benny Andersson and singers Agnetha Fältskog and Anni-Frid Lyngstad), it opens with the group’s collapse in 1982, filtered through its single “The Day Before You Came,” then skips to an exploration of Sweden’s dansbandvocal music before hopscotching around its key musical moments and influences. Good strategy: It shakes the stiffness out of a music biography of a pop group that was a little off-kilter, from the broken English of its lyrics to the lurking somberness of even its jauntiest tunes. (The book’s subtitle, Melancholy Undercover, refers to Andersson’s assessment of the predominant characteristic of their music.) Gradvall’s approach also reveals unusual moments for a group that seemed carefully machined: the tweaks to Eurovision contest rules that made “Waterloo” their first major hit, the tensions between dansbandand the ersatz-American raggareculture that the group exploited, the importance of LGBTQ+ culture in keeping the group relevant after their breakup, the backlash against the group as pompous and irrelevant when Sweden’s politics took a leftward turn, and various odd cultural collisions (to make a 1977 Australian tour viable, they agreed to a kind of cultural exchange program that made AC/DC big in Sweden). Despite all the interviews, the “Abbas” (as he calls them) remain somewhat mysterious, avoiding details about divorces and other matters that might tamper too much with their legacy. But the story is leavened by Gradvall’s personal observations of how influential the group was in their native country, especially their breakthrough 1976 album, Arrival, which “sounds as if the sun had signed a record contract.”
A fun, thorough, and considered appreciation of a major pop act.Pub Date: June 17, 2025
ISBN: 9781250379856
Page Count: 336
Publisher: St. Martin's
Review Posted Online: March 21, 2025
Kirkus Reviews Issue: April 15, 2025
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
A juicy story with some truly crazy moments, yet Anderson's good heart shines through.
The iconic model tells the story of her eventful life.
According to the acknowledgments, this memoir started as "a fifty-page poem and then grew into hundreds of pages of…more poetry." Readers will be glad that Anderson eventually turned to writing prose, since the well-told anecdotes and memorable character sketches are what make it a page-turner. The poetry (more accurately described as italicized notes-to-self with line breaks) remains strewn liberally through the pages, often summarizing the takeaway or the emotional impact of the events described: "I was / and still am / an exceptionally / easy target. / And, / I'm proud of that." This way of expressing herself is part of who she is, formed partly by her passion for Anaïs Nin and other writers; she is a serious maven of literature and the arts. The narrative gets off to a good start with Anderson’s nostalgic memories of her childhood in coastal Vancouver, raised by very young, very wild, and not very competent parents. Here and throughout the book, the author displays a remarkable lack of anger. She has faced abuse and mistreatment of many kinds over the decades, but she touches on the most appalling passages lightly—though not so lightly you don't feel the torment of the media attention on the events leading up to her divorce from Tommy Lee. Her trip to the pages of Playboy, which involved an escape from a violent fiance and sneaking across the border, is one of many jaw-dropping stories. In one interesting passage, Julian Assange's mother counsels Anderson to desexualize her image in order to be taken more seriously as an activist. She decided that “it was too late to turn back now”—that sexy is an inalienable part of who she is. Throughout her account of this kooky, messed-up, enviable, and often thrilling life, her humility (her sons "are true miracles, considering the gene pool") never fails her.
A juicy story with some truly crazy moments, yet Anderson's good heart shines through.Pub Date: Jan. 31, 2023
ISBN: 9780063226562
Page Count: 256
Publisher: Dey Street/HarperCollins
Review Posted Online: Dec. 5, 2022
Kirkus Reviews Issue: Jan. 1, 2023
SEEN & HEARD
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