Art history specialists Greenberg and Jordan (Boston Globe/Horn Book–winning Chuck Close, Up Close, 1998; Sibert Honor–winning Vincent Van Gogh: Portrait of An Artist, 2001) have again pushed the nonfiction envelope with this astonishing biography cum evocation of action painter and abstract expressionist icon Jackson Pollock. Dubbed “Action Jackson”—or sometimes even “Jack the Dripper”—by critics and admirers alike, Pollock is an acknowledged reference point for all late-20th-century painters. His influence has captivated the likes of illustrators Norman Rockwell and Ian Falconer and even actor-directors like Ed Harris. How to parse a painter like Pollock? In a stroke of expository genius, they focus on a semi-imagined account of an intense period in Pollock's life—May through June 1950. The brief frenzy of work that produced the transcendent and transformational painting “Number 1, 1950” known as “Lavender Mist.” Greenberg and Johnson make strategic use of contemporaneous accounts and press sources including Hans Namuth’s photos and documentary film. The book’s back matter includes the terrifically interesting and surprisingly complete two pages of notes and sources. A perfect little biographical essay offers all the needed details including this poignant passage, a discreet but unsparing observation that: “Jackson struggled with alcoholism and depression for most of his adult life. When he was sober, he painted well, but when he was drinking he felt discouraged and temperamental.” In tandem with this, it is hard to convey the equally astonishing strength of Parker’s illustrations. A widely exhibited watercolorist of considerable renown (winner of the Boston Globe/Horn Book Award for Cold Feet, 2000), Parker shows us both the mood and sensibility of the painter while he demonstrates the how of Pollock’s technique. His semi-realistic and pleasingly spiky India Ink drawings are heightened with expansive gloriously transparent watercolor washes in palette that often subtly reflect the colors and values of Pollock’s “Lavender Mist.” Parker evokes Pollock’s painting with his own painter’s hand. He masterfully conveys painting as an active dance of form and color. This stunning collaboration is both a tour de force and an uncommon pleasure. (Picture book/biography. 6+)
Pub Date: Sept. 1, 2002
ISBN: 0-7613-2770-3
Page Count: 32
Publisher: Roaring Brook Press
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 2002
An authentic and moving time capsule of middle school angst, trauma, and joy.
Through the author’s own childhood diary entries, a seventh grader details her inner life before and after 9/11.
Alyssa’s diary entries start in September 2000, in the first week of her seventh grade year. She’s 11 and dealing with typical preteen concerns—popularity and anxiety about grades—along with other things more particular to her own life. She’s shuffling between Queens and Manhattan to share time between her divorced parents and struggling with thick facial hair and classmates who make her feel like she’s “not a whole person” due to her mixed White and Puerto Rican heritage. Alyssa is endlessly earnest and awkward as she works up the courage to talk to her crush, Alejandro; gushes about her dreams of becoming a shoe designer; and tries to solve her burgeoning unibrow problem. The diaries also have a darker side, as a sense of impending doom builds as the entries approach 9/11, especially because Alyssa’s father works in finance in the World Trade Center. As a number of the diary entries are taken directly from the author’s originals, they effortlessly capture the loud, confusing feelings middle school brings out. The artwork, in its muted but effective periwinkle tones, lends a satisfying layer to the diary’s accessible and delightful format.
An authentic and moving time capsule of middle school angst, trauma, and joy. (author's note) (Graphic memoir. 8-13)Pub Date: Aug. 17, 2021
ISBN: 978-1-250-77427-9
Page Count: 288
Publisher: Roaring Brook Press
Review Posted Online: June 15, 2021
Kirkus Reviews Issue: July 1, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A beautiful, powerful reflection on a tragic history.
In spare verse, Lowry reflects on moments in her childhood, including the bombings of Pearl Harbor and Hiroshima.
When she was a child, Lowry played at Waikiki Beach with her grandmother while her father filmed. In the old home movie, the USS Arizona appears through the mist on the horizon. Looking back at her childhood in Hawaii and then Japan, Lowry reflects on the bombings that began and ended a war and how they affected and connected everyone involved. In Part 1, she shares the lives and actions of sailors at Pearl Harbor. Part 2 is stories of civilians in Hiroshima affected by the bombing. Part 3 presents her own experience as an American in Japan shortly after the war ended. The poems bring the haunting human scale of war to the forefront, like the Christmas cards a sailor sent days before he died or the 4-year-old who was buried with his red tricycle after Hiroshima. All the personal stories—of sailors, civilians, and Lowry herself—are grounding. There is heartbreak and hope, reminding readers to reflect on the past to create a more peaceful future. Lowry uses a variety of poetry styles, identifying some, such as triolet and haiku. Pak’s graphite illustrations are like still shots of history, adding to the emotion and somber feeling. He includes some sailors of color among the mostly white U.S. forces; Lowry is white.
A beautiful, powerful reflection on a tragic history. (author’s note, bibliography) (Memoir/poetry. 10-14)Pub Date: April 7, 2020
ISBN: 978-0-358-12940-0
Page Count: 80
Publisher: HMH Books
Review Posted Online: Jan. 11, 2020
Kirkus Reviews Issue: Feb. 1, 2020
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