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HEAVEN, INDIANA

A funny, poignant tale of an imperfect paradise.

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Buried secrets churn beneath the placid surface of a small town in this tragicomic debut novel.

Once a station on the Underground Railroad and later a Ku Klux Klan stronghold in the 1920s, the village of Heaven, Indiana, has a tangled history of grace and sin. Maher begins its beguiling saga in 1954, when Madame Gajikanes, a Romani fortuneteller passing through with a traveling carnival (her decidedly non-Romani real name is Nancy White), finds a newborn infant left in a basket at her tent. She duly raises the baby girl, named Nadja, to be a carnie performer who specializes in telling fortunes from dirty dinner dishes (“It’s like tea-leaf reading. I read from the pattern left on your plate after you’ve eaten”). Nadja’s wanderings intersect with the lives of Ellie Denson, a waitress at Clara’s Kitchen who wishes she too had the gumption to get out of Heaven, and Sue Ellen Sue Tipton, whose House of Beauty becomes the clearinghouse for artful gossip thanks to her phenomenal head for town lore. Also threading through the tale are aging farm couple Helen and Lester Breck. When Helen decides that Lester is not really Lester but a farmhand who looks just like him, the long-suffering husband takes his wife’s delusions in stride while covertly seeking consolation with other women. There’s more than enough death and derangement in Maher’s yarn for a prairie gothic potboiler, but she defuses the melodrama in a well-observed comedy of rural manners that breaks down larger villainies into smaller misdemeanors, tinging all of it with a wisp of magical realism. (Fortunetelling, it turns out, is 99 percent reconnaissance and 1 percent something else.) The author’s prose manages evocative flights—“Elephants paced restlessly, their immense feet beating slow syncopations”—but it dwells mainly in small-town naturalism rendered in pitch-perfect dialogue by sharply drawn characters whose folksiness still encompasses layers of complication and conflict. A bit like a darker-tinged version of Garrison Keillor’s Lake Wobegon narrative, Maher’s fictive universe unfolds with richly humorous details and expansive meaning.

A funny, poignant tale of an imperfect paradise.

Pub Date: Nov. 15, 2000

ISBN: 978-0-9703993-0-4

Page Count: 169

Publisher: Dog Hollow Press

Review Posted Online: March 2, 2018

Kirkus Reviews Issue: April 15, 2018

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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