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IN THE CELLAR

Dick Tracy meets Jean-Paul Sartre in this deeply philosophical, deftly written account of the author’s 33 days confined in a cellar. Reemtsma (More Than a Champion: The Style of Muhammad Ali, 1998) is one of Germany’s leading intellectuals. On March 25, 1996, while walking to his office, he was assaulted, kidnapped, and later chained up in a cellar, where he’d spend the next 33 days awaiting a ransom hand-over. Reemtsma describes his horrific experience in a narrative that blends searing emotional honesty with an almost eerie intellectual detachment. Admitting his terror and utter powerlessness, Reemtsma subjects himself to meticulous self-examination. Seemingly trivial events, such as when the kidnappers take away his wristwatch, trigger philosophical musings: with a watch “you can focus your inner resources and conquer one hour after the other. Without a watch you are in a sea of time, out of sight of land.” The author’s intellect moves comfortably from Ludwig Wittgenstein to Sylvester Stallone, from American pop music to Renaissance art. Among other things, he uses his time in the cellar to examine the Cartesian concept of the individual and rejects it. He also considers the concepts of God, fate, and death. In a real sense, Reemtsma shared his dark cellar with the entire Western intellectual tradition. Yet the book contains considerable human drama, as the kidnappers try to elude the police and the author battles boredom and despair. When the initial efforts to hand over the ransom fail, the kidnappers threaten to murder Reemtsma. Finally, the ransom is paid, and the kidnappers drive him deep into the forest: “Car stops. Trunk opens. The thought again: Are they going to shoot me now?” He’s released, only to be swarmed by a ravenous press wanting to report his “feelings.” Reemtsma has written this complex book in part to confront those feelings. A relentlessly candid examination of one man’s heart and mind.

Pub Date: Feb. 18, 1999

ISBN: 0-375-40098-2

Page Count: 240

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 1999

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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