Sendker can be a mesmerizing storyteller, but his high quotient of romantic spiritualism is hard for even the mildly...

A WELL-TEMPERED HEART

In the German novelist Sendker’s sequel to The Art of Hearing Heartbeats (2012), a Manhattan attorney returns to Burma 10 years after her first visit for further lessons in love.

When she was 28, intellectual property lawyer Julia traveled to Burma, where she learned of her Burmese father’s early life and his reunion with the love of his life, whom he’d left behind before moving to America and marrying Julia’s American mother. While there, she became close to the saintly half brother, U Ba, she never knew existed. Since her return to New York, she has meant to return to Burma but never got around to it. Now, shortly after breaking up with her boyfriend and receiving a letter from U Ba, Julia begins to hear a voice asking her questions. A psychiatrist prescribes drugs to quell the voice. Instead, she visits a Buddhist center, where a Burmese monk clarifies that another woman’s soul is trapped inside Julia’s body. Soon, Julia is winging her way to Burma, where she quickly finds U Ba, who takes her to visit Khin Khin, an elderly woman who tells the story of her dead half sister, Nu Nu, whose voice haunts Julia. (In his first novel, Sendker used the similar technique of framing one story inside another.) Nu Nu’s crisis was that she loved her first son more than her second. The second son, Thar Thar, grew up aware he was unwanted by his mother. Nevertheless, after his loving father’s early death, Thar Thar cared well for his mother and brother, but when Burmese soldiers forced Nu Nu to make a “Sophie’s choice,” she didn’t hesitate in deciding to save her favorite. So, 12-year-old Thar Thar was forced into the army. As Julia and U Bar discover what became of Thar Thar, Julia learns about the power of love and realizes where her own heart truly belongs.

Sendker can be a mesmerizing storyteller, but his high quotient of romantic spiritualism is hard for even the mildly skeptical to take seriously.

Pub Date: Jan. 21, 2014

ISBN: 978-1-59051-640-9

Page Count: 320

Publisher: Other Press

Review Posted Online: Oct. 21, 2013

Kirkus Reviews Issue: Nov. 1, 2013

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Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of...

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IT ENDS WITH US

Hoover’s (November 9, 2015, etc.) latest tackles the difficult subject of domestic violence with romantic tenderness and emotional heft.

At first glance, the couple is edgy but cute: Lily Bloom runs a flower shop for people who hate flowers; Ryle Kincaid is a surgeon who says he never wants to get married or have kids. They meet on a rooftop in Boston on the night Ryle loses a patient and Lily attends her abusive father’s funeral. The provocative opening takes a dark turn when Lily receives a warning about Ryle’s intentions from his sister, who becomes Lily’s employee and close friend. Lily swears she’ll never end up in another abusive home, but when Ryle starts to show all the same warning signs that her mother ignored, Lily learns just how hard it is to say goodbye. When Ryle is not in the throes of a jealous rage, his redeeming qualities return, and Lily can justify his behavior: “I think we needed what happened on the stairwell to happen so that I would know his past and we’d be able to work on it together,” she tells herself. Lily marries Ryle hoping the good will outweigh the bad, and the mother-daughter dynamics evolve beautifully as Lily reflects on her childhood with fresh eyes. Diary entries fancifully addressed to TV host Ellen DeGeneres serve as flashbacks to Lily’s teenage years, when she met her first love, Atlas Corrigan, a homeless boy she found squatting in a neighbor’s house. When Atlas turns up in Boston, now a successful chef, he begs Lily to leave Ryle. Despite the better option right in front of her, an unexpected complication forces Lily to cut ties with Atlas, confront Ryle, and try to end the cycle of abuse before it’s too late. The relationships are portrayed with compassion and honesty, and the author’s note at the end that explains Hoover’s personal connection to the subject matter is a must-read.

Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of the survivors.

Pub Date: Aug. 2, 2016

ISBN: 978-1-5011-1036-8

Page Count: 320

Publisher: Atria

Review Posted Online: May 31, 2016

Kirkus Reviews Issue: June 15, 2016

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Hoover is one of the freshest voices in new-adult fiction, and her latest resonates with true emotion, unforgettable...

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MAYBE SOMEDAY

Sydney and Ridge make beautiful music together in a love triangle written by Hoover (Losing Hope, 2013, etc.), with a link to a digital soundtrack by American Idol contestant Griffin Peterson. 

Hoover is a master at writing scenes from dual perspectives. While music student Sydney is watching her neighbor Ridge play guitar on his balcony across the courtyard, Ridge is watching Sydney’s boyfriend, Hunter, secretly make out with her best friend on her balcony. The two begin a songwriting partnership that grows into something more once Sydney dumps Hunter and decides to crash with Ridge and his two roommates while she gets back on her feet. She finds out after the fact that Ridge already has a long-distance girlfriend, Maggie—and that he's deaf. Ridge’s deafness doesn’t impede their relationship or their music. In fact, it creates opportunities for sexy nonverbal communication and witty text messages: Ridge tenderly washes off a message he wrote on Sydney’s hand in ink, and when Sydney adds a few too many e’s to the word “squee” in her text, Ridge replies, “If those letters really make up a sound, I am so, so glad I can’t hear it.” While they fight their mutual attraction, their hope that “maybe someday” they can be together playfully comes out in their music. Peterson’s eight original songs flesh out Sydney’s lyrics with a good mix of moody musical styles: “Living a Lie” has the drama of a Coldplay piano ballad, while the chorus of “Maybe Someday” marches to the rhythm of the Lumineers. But Ridge’s lingering feelings for Maggie cause heartache for all three of them. Independent Maggie never complains about Ridge’s friendship with Sydney, and it's hard to even want Ridge to leave Maggie when she reveals her devastating secret. But Ridge can’t hide his feelings for Sydney long—and they face their dilemma with refreshing emotional honesty. 

Hoover is one of the freshest voices in new-adult fiction, and her latest resonates with true emotion, unforgettable characters and just the right amount of sexual tension.

Pub Date: March 18, 2014

ISBN: 978-1-4767-5316-4

Page Count: 384

Publisher: Atria

Review Posted Online: May 7, 2014

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