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RIDING IN THE SHADOWS OF SAINTS

A WOMAN’S STORY OF MOTORCYCLING THE MORMON TRAIL

Well crafted, intimate and engaging: an unorthodox rite of passage with ruminations on faith, feminism and more.

A quest for hope, meaning, a sense of place and ancestral connections, all mounted on two slippery wheels.

When she faced a personal crisis of fear and vulnerability exacerbated by 9/11, Richman recalls, she began talking about riding her motorcycle the length of the old Mormon Trail, 1,300 miles from Nauvoo, Ill., to Salt Lake City; in so doing, she would follow the path of seven of her great-great grandmothers (the eighth made the journey, though by train, not foot). At the point she realized she couldn’t back out of it, the author admits, “Everything about the idea scared the hell out of me—handling the bike, traveling alone, traffic, weather, road construction, strangers along the way, what I might find out about my Mormon ancestors, what I might find out about myself.” There’s her book, in a nutshell, but readers will also find that she writes candidly and from the heart about her rebellion from a conflicted Mormon family in Tooele, Utah—her father had no use for the church, constantly kept her steadfastly devout mother from full participation—and her own apostasy based on what turns out to be a not so simple lack of faith. She also admits that while she is an experienced rider (at 45), she has no affinity with a bike’s inner mechanical workings, and should she accidentally “drop” hers—let it fall down—loaded for touring at well over 500 pounds, she wouldn’t be able to pick it up by herself. Richman annotates her ride with stories of the original “Saints” (Mormons) on the sometimes tragic trek (over 10 percent died on the trail), often emotionally reliving the travails of her great-great-grandmothers. Self-realization, if not the true belief, is her reward at journey’s end.

Well crafted, intimate and engaging: an unorthodox rite of passage with ruminations on faith, feminism and more.

Pub Date: July 19, 2005

ISBN: 1-4000-4542-8

Page Count: 320

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 2005

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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