by Jane Alvey Harris ‧ RELEASE DATE: Aug. 24, 2016
A whirlwind narrative about an imaginative heroine that uses fantasy to offer salvation from abuse.
In this debut fantasy thriller, a teen’s real life begins to overlap with a colorful world she thinks she’s invented.
In Dallas, 17-year-old Emily Alvey watches Claire, her 10-year-old sister, have fun at a pool party. Yet Emily herself is preoccupied with the deep scratches on her arm, which she doesn't remember receiving. When she shoos a dragonfly away from her ankle, she accidentally kicks Gabe, a cute lifeguard, in the nose. They chat, but she neglects to describe her disastrous life: she must repeat the 11th grade; her father sits in jail; and her mother remains addicted to prescription meds. Later, after leaving a grocery store, Emily runs into Gabe again, only this time she suffers what seems like a panic attack. But the voices in Emily’s mind (a critical woman and a fanciful little girl) tell her that she’s awakening to a Magic that she hasn’t known since she was 7 years old. As a child, she began weaving a story about the First Realm, populated by the Fae—elves and maidens, both at war with the hideous crimbals. Gabe helps her realize that her father’s imminent release from prison coincides with the marks on her arm, which are actually ancient runes that not only spell her last name, but also translate it into “elf warrior.” In this emotionally charged novel, Harris uses traditional fantasy elements to tell a vibrant self-acceptance narrative. Though ostensibly for older teens, Emily’s adventures with her three siblings (Claire, 14-year-old Aidan, and 15-year-old Jacob) begin with rich imagery, and only become more kaleidoscopic when the heroine “can’t decipher between what is fantasy and what is real.” At its best, the prose conjures all the lushness promised by the genre, as when Emily sees “the sparkling honeysuckle air, the serene entanglement of polished stone and creeping wild strawberry.” At other times, however, the worldbuilding feels claustrophobic, and readers may wish for more clearly marked plot points to follow. In the end, after a sad, shocking revelation, Harris firms up her message that it’s vital to “experience your emotions and memories without judging them or reacting to them.”
A whirlwind narrative about an imaginative heroine that uses fantasy to offer salvation from abuse.Pub Date: Aug. 24, 2016
ISBN: N/A
Page Count: 494
Publisher: CreateSpace
Review Posted Online: June 22, 2016
Review Program: Kirkus Indie
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by Katherena Vermette illustrated by Scott B. Henderson Donovan Yaciuk ‧ RELEASE DATE: March 15, 2018
A sparse, beautifully drawn story about a teen discovering her heritage.
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In this YA graphic novel, an alienated Métis girl learns about her people’s Canadian history.
Métis teenager Echo Desjardins finds herself living in a home away from her mother, attending a new school, and feeling completely lonely as a result. She daydreams in class and wanders the halls listening to a playlist of her mother’s old CDs. At home, she shuts herself up in her room. But when her history teacher begins to lecture about the Pemmican Wars of early 1800s Saskatchewan, Echo finds herself swept back to that time. She sees the Métis people following the bison with their mobile hunting camp, turning the animals’ meat into pemmican, which they sell to the Northwest Company in order to buy supplies for the winter. Echo meets a young girl named Marie, who introduces Echo to the rhythms of Métis life. She finally understands what her Métis heritage actually means. But the joys are short-lived, as conflicts between the Métis and their rivals in the Hudson Bay Company come to a bloody head. The tragic history of her people will help explain the difficulties of the Métis in Echo’s own time, including those of her mother and the teen herself. Accompanied by dazzling art by Henderson (A Blanket of Butterflies, 2017, etc.) and colorist Yaciuk (Fire Starters, 2016, etc.), this tale is a brilliant bit of time travel. Readers are swept back to 19th-century Saskatchewan as fully as Echo herself. Vermette’s (The Break, 2017, etc.) dialogue is sparse, offering a mostly visual, deeply contemplative juxtaposition of the present and the past. Echo’s eventual encounter with her mother (whose fate has been kept from readers up to that point) offers a powerful moment of connection that is both unexpected and affecting. “Are you…proud to be Métis?” Echo asks her, forcing her mother to admit, sheepishly: “I don’t really know much about it.” With this series opener, the author provides a bit more insight into what that means.
A sparse, beautifully drawn story about a teen discovering her heritage.Pub Date: March 15, 2018
ISBN: 978-1-55379-678-7
Page Count: 48
Publisher: HighWater Press
Review Posted Online: Feb. 28, 2018
Kirkus Reviews Issue: May 1, 2018
Review Program: Kirkus Indie
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by Katherena Vermette ; illustrated by Scott B. Henderson and Donovan Yaciuk
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by Katherena Vermette ; illustrated by Julie Flett
by Chloe Walsh ‧ RELEASE DATE: Nov. 28, 2023
A troubling depiction of an unhealthy relationship.
A battered girl and an injured rugby star spark up an ill-advised romance at an Irish secondary school.
Beautiful, waiflike, 15-year-old Shannon has lived her entire life in Ballylaggin. Alternately bullied at school and beaten by her ne’er-do-well father, she’s hopeful for a fresh start at Tommen, a private school. Seventeen-year-old Johnny, who has a hair-trigger temper and a severe groin injury, is used to Dublin’s elite-level rugby but, since his family’s move to County Cork, is now stuck captaining Tommen’s middling team. When Johnny angrily kicks a ball and knocks Shannon unconscious (“a soft female groan came from her lips”), a tentative relationship is born. As the two grow closer, Johnny’s past and Shannon’s present become serious obstacles to their budding love, threatening Shannon’s safety. Shannon’s portrayal feels infantilized (“I looked down at the tiny little female under my arm”), while Johnny comes across as borderline obsessive (“I knew I shouldn’t be touching her, but how the hell could I not?”). Uneven pacing and choppy sentences lead to a sudden climax and an unsatisfyingly abrupt ending. Repetitive descriptions, abundant and misogynistic dialogue (Johnny, to his best friend: “who’s the bitch with a vagina now?”), and graphic violence also weigh down this lengthy tome (considerably trimmed down from its original, self-published length). The cast of lively, well-developed supporting characters, especially Johnny’s best friend and Shannon’s protective older brother, is a bright spot. Major characters read white.
A troubling depiction of an unhealthy relationship. (author’s note, pronunciations, glossary, song moments, playlists) (Romance. 16-18)Pub Date: Nov. 28, 2023
ISBN: 9781728299945
Page Count: 626
Publisher: Bloom Books
Review Posted Online: Oct. 21, 2023
Kirkus Reviews Issue: Nov. 15, 2023
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