GOODBYE, CHARLEY

Celie’s strong 12-year-old voice focuses the semi-omniscient third-person narrative, eloquently revealing her attitudes about the severe 1943 Gloucester, Massachusetts, community spirit, which is much too serious for the kind of childhood her Dad thinks his children need. He brings home a rhesus monkey. Celie’s pure delight with the wild animal she names Charley is hardly dampened by Mom’s realistic wet blanket; the monkey’s well-being requires specialized habitat and care, complicated by limited time and resources in their home due to sacrifices to support the war. It’s not the “I-told-you-so” parental point of view that guides the plot, but Celie’s inner adventurousness, heretofore never explored, that will delight readership, as she learns to make friends with an unlikely chap, from her way of thinking, reaches out to help her brother, despite their rivalry, and puts the welfare of Charley above her heart’s desire. Though it’s obvious what Charley’s destiny will be, the charm of a young girl exploring the Massachusetts coast and exploring life farther than she has ever done is evoked in historical details and veridical characters. No monkey business about it. (Fiction. 9-12)

Pub Date: Aug. 17, 2004

ISBN: 0-374-35020-5

Page Count: 176

Publisher: Farrar, Straus and Giroux

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 2004

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THE TIGER RISING

Themes of freedom and responsibility twine between the lines of this short but heavy novel from the author of Because of Winn-Dixie (2000). Three months after his mother's death, Rob and his father are living in a small-town Florida motel, each nursing sharp, private pain. On the same day Rob has two astonishing encounters: first, he stumbles upon a caged tiger in the woods behind the motel; then he meets Sistine, a new classmate responding to her parents' breakup with ready fists and a big chip on her shoulder. About to burst with his secret, Rob confides in Sistine, who instantly declares that the tiger must be freed. As Rob quickly develops a yen for Sistine's company that gives her plenty of emotional leverage, and the keys to the cage almost literally drop into his hands, credible plotting plainly takes a back seat to character delineation here. And both struggle for visibility beneath a wagonload of symbol and metaphor: the real tiger (and the inevitable recitation of Blake's poem); the cage; Rob's dream of Sistine riding away on the beast's back; a mysterious skin condition on Rob's legs that develops after his mother's death; a series of wooden figurines that he whittles; a larger-than-life African-American housekeeper at the motel who dispenses wisdom with nearly every utterance; and the climax itself, which is signaled from the start. It's all so freighted with layers of significance that, like Lois Lowry's Gathering Blue (2000), Anne Mazer's Oxboy (1995), or, further back, Julia Cunningham's Dorp Dead (1965), it becomes more an exercise in analysis than a living, breathing story. Still, the tiger, "burning bright" with magnificent, feral presence, does make an arresting central image. (Fiction. 10-12)

Pub Date: March 1, 2001

ISBN: 0-7636-0911-0

Page Count: 128

Publisher: Candlewick

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Feb. 1, 2001

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KENNY & THE DRAGON

Reports of children requesting rewrites of The Reluctant Dragon are rare at best, but this new version may be pleasing to young or adult readers less attuned to the pleasures of literary period pieces. Along with modernizing the language—“Hmf! This Beowulf fellow had a severe anger management problem”—DiTerlizzi dials down the original’s violence. The red-blooded Boy is transformed into a pacifistic bunny named Kenny, St. George is just George the badger, a retired knight who owns a bookstore, and there is no actual spearing (or, for that matter, references to the annoyed knight’s “Oriental language”) in the climactic show-fight with the friendly, crème-brulée-loving dragon Grahame. In look and spirit, the author’s finely detailed drawings of animals in human dress are more in the style of Lynn Munsinger than, for instance, Ernest Shepard or Michael Hague. They do, however, nicely reflect the bright, informal tone of the text. A readable, if denatured, rendition of a faded classic. (Fantasy. 9-11)

Pub Date: Aug. 5, 2008

ISBN: 978-1-4169-3977-1

Page Count: 160

Publisher: Simon & Schuster

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: June 15, 2008

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