by Jane Buchanan & illustrated by Leslie Bowman ‧ RELEASE DATE: May 13, 2003
Old Sam, the berry-picking man, smells bad, has terrible manners, and talks to himself all the time. Worse than all that, he seems to like Meggie—in fact, he tells her she’s his favorite. During berry season, which stretches from the wild strawberries of June to the purple grapes of September, the phone will ring and it’s Sam asking for a ride. Meggie’s mother instructs Meggie to get the kettle and meet her in the car. Under protest, she joins her, but soon it becomes more than her mother’s desires that make her climb in the backseat, but her own sympathy for the lonely old man. The simple voice adeptly conveys one of life’s more difficult lessons: caring about someone’s feelings even when you don’t like him. Watercolors, reproduced in shades of gray, mimic the theme of seeing beyond the black and white to understand the whole picture. Without being too heavy-handed or preachy, Buchanan’s story tells of one young girl’s journey towards empathy. Rich and true. (Fiction. 7-10)
Pub Date: May 13, 2003
ISBN: 0-374-40610-3
Page Count: 96
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2003
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by Jane Buchanan & illustrated by Charlotte Riley-Webb
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BOOK REVIEW
by Suzy Kline ; illustrated by Amy Wummer ‧ RELEASE DATE: Nov. 27, 2018
A fitting farewell, still funny, acute, and positive in its view of human nature even in its 37th episode.
A long-running series reaches its closing chapters.
Having, as Kline notes in her warm valedictory acknowledgements, taken 30 years to get through second and third grade, Harry Spooger is overdue to move on—but not just into fourth grade, it turns out, as his family is moving to another town as soon as the school year ends. The news leaves his best friend, narrator “Dougo,” devastated…particularly as Harry doesn’t seem all that fussed about it. With series fans in mind, the author takes Harry through a sort of last-day-of-school farewell tour. From his desk he pulls a burned hot dog and other items that featured in past episodes, says goodbye to Song Lee and other classmates, and even (for the first time ever) leads Doug and readers into his house and memento-strewn room for further reminiscing. Of course, Harry isn’t as blasé about the move as he pretends, and eyes aren’t exactly dry when he departs. But hardly is he out of sight before Doug is meeting Mohammad, a new neighbor from Syria who (along with further diversifying a cast that began as mostly white but has become increasingly multiethnic over the years) will also be starting fourth grade at summer’s end, and planning a written account of his “horrible” buddy’s exploits. Finished illustrations not seen.
A fitting farewell, still funny, acute, and positive in its view of human nature even in its 37th episode. (Fiction. 7-9)Pub Date: Nov. 27, 2018
ISBN: 978-0-451-47963-1
Page Count: 80
Publisher: Viking
Review Posted Online: Sept. 16, 2018
Kirkus Reviews Issue: Oct. 1, 2018
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by Suzy Kline & illustrated by Sami Sweeten
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by Suzy Kline & illustrated by Frank Remkiewicz
BOOK REVIEW
by Suzy Kline & illustrated by Frank Remkiewicz
by Jo Hoestlandt & translated by Mark Polizzotti & illustrated by Johanna Kang ‧ RELEASE DATE: May 8, 1995
The thoughtless words of childhood become the focus of the narrator's haunted memories of WW II. Helen recalls the events of her ninth birthday in occupied France in 1942. Lydia, her best friend, comes over to spend the night, and they amuse themselves by telling ghost stories. When a stranger wearing a yellow star like Lydia's comes looking for a place to hide, Lydia suddenly wants to go home. Helen is angry and shouts to the departing girl that she is not her friend anymore. The next day Lydia and her family have disappeared. The simple storyline brings together a complex combination of elements—ghost stories and fights between friends who suddenly find themselves in the context of war—all of which are penetrated by an equally complex narratorial voice, capable of differentiating among subtle shades of emotion. It belongs both to the old woman telling the story and to the nine-year-old girl she was. As a result of this layering of perspective, the characters and story have depth through minimal means (sketchy details, snatches of conversation). This is even more effective in the wondrous pictures. In her first book, Kang's palette contains only browns, grays, yellows, and redsmuted colors, forming the geometric interiors of barren apartments. If the individual colors and shapes in the pictures are simple, as a whole they create an intensely expressive atmosphere. (Picture book. 7-10)
Pub Date: May 8, 1995
ISBN: 0-8027-8373-2
Page Count: 32
Publisher: Walker
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 1995
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by Jo Hoestlandt & illustrated by Aurélie Abolivier & translated by Y. Maudet
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