Strikingly deft and nuanced; a writer to watch.
In an assured debut, a delicate fretwork of lives, relationships, and secrets is built up over the course of a century—and linked by a manor in an ugly French village.
Opening in 1992 with Brigitte, an American hired to work as an au pair in Benneville, a community outside Paris, this unusual novel in stories introduces a place—the Léger country estate—which will act as the connective tissue to 10 overlapping narratives. This "bourgeois manoir with a façade of buttery limestone that stretched three stories into slate turrets and gables" has weathered architectural looting, wars, suicide, and sacrifice and has been home to entrepreneurs and deserters as well as the people who worked for them. Brigitte finds herself attracted to current owner Hugo, a damaged academic, but this is just one single—if significant—moment in a woman’s search for a life trajectory that fits. An intriguing mix of relationships—flawed men, unsettled women, struggling parents and partners—follows, arranged in nonchronological order, with characters recurring, often moving from a glancing reference to center stage. In “A Place in the Country” we meet the Havre family, whose generations, and scars, crop up in several chapters. Paterfamilias Henri, the village schoolmaster and a hero of the World War II Resistance, is as cold and bullying to his grandsons, Alexis and Emmanuel, as he was to his schizophrenic son, Guy. Alexis, whose adult choices are shaped by a childhood encounter with his uncle Guy, reappears in “Half Life,” and Emmanuel’s daughter, Adèle, appears in both “Tintin in the Antilles,” an insightful snapshot of aging, and the weaker “Ants.” While the author affectingly composes her characters' individual psychologies in slow dabs of detail, the manor’s physicality supplies permanence, its balcony a witness to two of the darkest episodes, and the surrounding forest a penumbra of mystery and continuity.
Strikingly deft and nuanced; a writer to watch.Pub Date: March 27, 2018
ISBN: 978-0-316-55467-1
Page Count: 256
Publisher: Little, Brown
Review Posted Online: Dec. 23, 2017
Kirkus Reviews Issue: Jan. 15, 2018
BOOK REVIEW
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
A tour de force.
In 1974, a troubled Vietnam vet inherits a house from a fallen comrade and moves his family to Alaska.
After years as a prisoner of war, Ernt Allbright returned home to his wife, Cora, and daughter, Leni, a violent, difficult, restless man. The family moved so frequently that 13-year-old Leni went to five schools in four years. But when they move to Alaska, still very wild and sparsely populated, Ernt finds a landscape as raw as he is. As Leni soon realizes, “Everyone up here had two stories: the life before and the life now. If you wanted to pray to a weirdo god or live in a school bus or marry a goose, no one in Alaska was going to say crap to you.” There are many great things about this book—one of them is its constant stream of memorably formulated insights about Alaska. Another key example is delivered by Large Marge, a former prosecutor in Washington, D.C., who now runs the general store for the community of around 30 brave souls who live in Kaneq year-round. As she cautions the Allbrights, “Alaska herself can be Sleeping Beauty one minute and a bitch with a sawed-off shotgun the next. There’s a saying: Up here you can make one mistake. The second one will kill you.” Hannah’s (The Nightingale, 2015, etc.) follow-up to her series of blockbuster bestsellers will thrill her fans with its combination of Greek tragedy, Romeo and Juliet–like coming-of-age story, and domestic potboiler. She re-creates in magical detail the lives of Alaska's homesteaders in both of the state's seasons (they really only have two) and is just as specific and authentic in her depiction of the spiritual wounds of post-Vietnam America.
A tour de force.Pub Date: Feb. 6, 2018
ISBN: 978-0-312-57723-0
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Oct. 30, 2017
Kirkus Reviews Issue: Nov. 15, 2017
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