Impeccably written.

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Award-winning British author Gardam completes her superb Old Filth trilogy—Old Filth (2004) and The Man in the Wooden Hat (2009)—with Sir Terence Veneering’s story.

This third—and final—book about a love triangle involving two bitter rivals is exquisitely expressive. When Sir Terence and Sir Edward die within months of each other, only a few people at their memorial services can personally recall the details of the venerable yet tumultuous lives they led. But old Dulcie, widow of judge William Willy, and Sir Frederick Fiscal-Smith, perennial houseguest of the upper class, share fleeting recollections of earlier lives through reminisces that are clouded with the haze of old age. The author’s two previous books focused on the stories of Sir Edward “Old Filth” Feathers and his wife, Betty. Gardam completes the trilogy by telling bits and pieces of Sir Terry Veneering’s rise from an impoverished childhood to a life of distinction. Terry, born the son of Florrie, a coal vendor, and Russian-born Anton, a former acrobat and dancer whose career is cut short when he suffers an injury, is an intelligent youngster with an affinity for languages and a love of the sea. While roaming the beach one day, he meets a lawyer who helps him further his education. A fortuitous last-minute decision and some devastating news sends Terry to Ampleforth College and subsequently to sharing top honors on the bar exam finals with Sir Edward. Their rivalry, fired when they represent opposing sides in court and fueled by Sir Terry’s love of Betty, endures until the twilight of their lives. Those who’ve read the first two books in the series will no doubt relish the opportunity to gain insight into the life of the third key player in the love story, but they’ll also feel deeply moved by Dulcie and Fiscal-Smith, two relics of the old guard who recall a time in England when one’s class restrictions were difficult to circumvent and surnames were of ultimate importance—regardless of accomplishments or financial circumstances.

Impeccably written.

Pub Date: April 2, 2013

ISBN: 978-1-60945-093-9

Page Count: 304

Publisher: Europa Editions

Review Posted Online: Jan. 20, 2013

Kirkus Reviews Issue: Feb. 1, 2013

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Inspired by disclosures of a real-life Florida reform school’s long-standing corruption and abusive practices, Whitehead’s...

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THE NICKEL BOYS

The acclaimed author of The Underground Railroad (2016) follows up with a leaner, meaner saga of Deep South captivity set in the mid-20th century and fraught with horrors more chilling for being based on true-life atrocities.

Elwood Curtis is a law-abiding, teenage paragon of rectitude, an avid reader of encyclopedias and after-school worker diligently overcoming hardships that come from being abandoned by his parents and growing up black and poor in segregated Tallahassee, Florida. It’s the early 1960s, and Elwood can feel changes coming every time he listens to an LP of his hero Martin Luther King Jr. sermonizing about breaking down racial barriers. But while hitchhiking to his first day of classes at a nearby black college, Elwood accepts a ride in what turns out to be a stolen car and is sentenced to the Nickel Academy, a juvenile reformatory that looks somewhat like the campus he’d almost attended but turns out to be a monstrously racist institution whose students, white and black alike, are brutally beaten, sexually abused, and used by the school’s two-faced officials to steal food and supplies. At first, Elwood thinks he can work his way past the arbitrary punishments and sadistic treatment (“I am stuck here, but I’ll make the best of it…and I’ll make it brief”). He befriends another black inmate, a street-wise kid he knows only as Turner, who has a different take on withstanding Nickel: “The key to in here is the same as surviving out there—you got to see how people act, and then you got to figure out how to get around them like an obstacle course.” And if you defy them, Turner warns, you’ll get taken “out back” and are never seen or heard from again. Both Elwood’s idealism and Turner’s cynicism entwine into an alliance that compels drastic action—and a shared destiny. There's something a tad more melodramatic in this book's conception (and resolution) than one expects from Whitehead, giving it a drugstore-paperback glossiness that enhances its blunt-edged impact.

Inspired by disclosures of a real-life Florida reform school’s long-standing corruption and abusive practices, Whitehead’s novel displays its author’s facility with violent imagery and his skill at weaving narrative strands into an ingenious if disquieting whole.

Pub Date: July 16, 2019

ISBN: 978-0-385-53707-0

Page Count: 224

Publisher: Doubleday

Review Posted Online: Jan. 21, 2019

Kirkus Reviews Issue: Feb. 1, 2019

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The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as...

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THE TATTOOIST OF AUSCHWITZ

An unlikely love story set amid the horrors of a Nazi death camp.

Based on real people and events, this debut novel follows Lale Sokolov, a young Slovakian Jew sent to Auschwitz in 1942. There, he assumes the heinous task of tattooing incoming Jewish prisoners with the dehumanizing numbers their SS captors use to identify them. When the Tätowierer, as he is called, meets fellow prisoner Gita Furman, 17, he is immediately smitten. Eventually, the attraction becomes mutual. Lale proves himself an operator, at once cagey and courageous: As the Tätowierer, he is granted special privileges and manages to smuggle food to starving prisoners. Through female prisoners who catalog the belongings confiscated from fellow inmates, Lale gains access to jewels, which he trades to a pair of local villagers for chocolate, medicine, and other items. Meanwhile, despite overwhelming odds, Lale and Gita are able to meet privately from time to time and become lovers. In 1944, just ahead of the arrival of Russian troops, Lale and Gita separately leave the concentration camp and experience harrowingly close calls. Suffice it to say they both survive. To her credit, the author doesn’t flinch from describing the depravity of the SS in Auschwitz and the unimaginable suffering of their victims—no gauzy evasions here, as in Boy in the Striped Pajamas. She also manages to raise, if not really explore, some trickier issues—the guilt of those Jews, like the tattooist, who survived by doing the Nazis’ bidding, in a sense betraying their fellow Jews; and the complicity of those non-Jews, like the Slovaks in Lale’s hometown, who failed to come to the aid of their beleaguered countrymen.

The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as nonfiction. Still, this is a powerful, gut-wrenching tale that is hard to shake off.

Pub Date: Sept. 4, 2018

ISBN: 978-0-06-279715-5

Page Count: 272

Publisher: Harper/HarperCollins

Review Posted Online: July 17, 2018

Kirkus Reviews Issue: Aug. 1, 2018

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