The British Green, master of the career-girl novel (if your idea of a career girl includes Manolos and a Birkin bag) switches the lives of a pampered American housewife and a London magazine editor, with predictable results.
Thirty-five-year-old Amber Winslow seems to have it all: a McMansion in a Connecticut suburb, a walk-in closet filled with couture, two beautiful children and a doting husband. But of course life in—is it Stepford?—isn’t as rosy as it seems. Her Jamaican nanny is all but raising the children; Amber lives in a state of anxiety that one of the League ladies is besting her; and she has this nagging feeling that her whole life is a useless sham. Across the Atlantic, Vicky Townsley is also yearning for what she doesn’t have—a country home with kids, a big dog and a husband. At 35, she is the features editor at Poise! magazine and enjoys a glamorously hectic social life and a dishy friend (with benefits) who lives around the block. Thanks to a contest sponsored by the magazine, the two women swap lives for a month, bringing with them little more than a toothbrush and underwear. For both, the situation reaffirms that they really do love their life/family, but for Amber, there are some added realizations that the superficiality of her life is interfering with her sense of self. Good for Amber and Vicky and destination epiphany. The real question is whether the journey is enough for the reader—and it mostly is. Green skewers Connecticut suburbia with a gleeful relish, and she hits the right marks with sympathetic Londoner Vicky, a quirky, imperfect heroine who keeps a pair of fat pants at the back of her closet.
Clothes, bags, shoes, romance, self-acceptance—all we’ve come to expect and done well enough.Pub Date: June 20, 2006
ISBN: 0-670-03480-0
Page Count: 400
Publisher: Viking
Review Posted Online: May 20, 2010
Kirkus Reviews Issue: April 15, 2006
Categories: GENERAL FICTION
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Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.
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Inseparable identical twin sisters ditch home together, and then one decides to vanish.
The talented Bennett fuels her fiction with secrets—first in her lauded debut, The Mothers (2016), and now in the assured and magnetic story of the Vignes sisters, light-skinned women parked on opposite sides of the color line. Desiree, the “fidgety twin,” and Stella, “a smart, careful girl,” make their break from stultifying rural Mallard, Louisiana, becoming 16-year-old runaways in 1954 New Orleans. The novel opens 14 years later as Desiree, fleeing a violent marriage in D.C., returns home with a different relative: her 8-year-old daughter, Jude. The gossips are agog: “In Mallard, nobody married dark....Marrying a dark man and dragging his blueblack child all over town was one step too far.” Desiree's decision seals Jude’s misery in this “colorstruck” place and propels a new generation of flight: Jude escapes on a track scholarship to UCLA. Tending bar as a side job in Beverly Hills, she catches a glimpse of her mother’s doppelgänger. Stella, ensconced in white society, is shedding her fur coat. Jude, so black that strangers routinely stare, is unrecognizable to her aunt. All this is expertly paced, unfurling before the book is half finished; a reader can guess what is coming. Bennett is deeply engaged in the unknowability of other people and the scourge of colorism. The scene in which Stella adopts her white persona is a tour de force of doubling and confusion. It calls up Toni Morrison’s The Bluest Eye, the book's 50-year-old antecedent. Bennett's novel plays with its characters' nagging feelings of being incomplete—for the twins without each other; for Jude’s boyfriend, Reese, who is trans and seeks surgery; for their friend Barry, who performs in drag as Bianca. Bennett keeps all these plot threads thrumming and her social commentary crisp. In the second half, Jude spars with her cousin Kennedy, Stella's daughter, a spoiled actress.
Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.Pub Date: June 2, 2020
ISBN: 978-0-525-53629-1
Page Count: 352
Publisher: Riverhead
Review Posted Online: March 15, 2020
Kirkus Reviews Issue: April 1, 2020
Categories: LITERARY FICTION | GENERAL FICTION
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BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
Categories: GENERAL FICTION
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BOOK REVIEW
SEEN & HEARD
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