Come back, Jemima J (2000)!
Mousy woman weds philandering jerk.
A lackluster array of supposedly sophisticated characters fall in and out of love and marriage in Green’s uninspired sixth outing (a “#1-bestselling blockbuster novel in Britain,” we’re told). Alice Chambers is a shy but successful caterer who’s romanced by Joe, a good-looking womanizer: he’s oh-so-amused by her essential innocence and what passes for self-deprecating wit about terribly important things like expensive footwear that pinches (“Bloody Jimmy Choos”). Airheads on both sides of the Atlantic will be impressed by heaps and heaps of brittle oh-darling dialogue and brand-name-y prose, plus a general sense of throwaway fabulousness that would bring a chilly smile even to Anna Wintour’s narrow lips. Joe and Alice move through a slice of Manhattan that’s as thin and unreal as they are—from Bergdorf’s on 57th St. to the posh Vietnamese eatery Le Colonial a few blocks south, and that’s it, though Wall Street is mentioned once or twice. (That’s where Joe does something with money, darling.) Throwaway fabulousness, however, does not come cheap. Joe prefers New York for female-fondling escapades, but Alice flees to Connecticut and takes up gardening, finding comfort in fluffy puppies and vicarious adultery, thanks to women writers. Her carelessly elegant attire escapes the dreaded Westport effect—no navy plaid skirts and boiled-wool blazers for our Alice—as Diesel jeans and muddy Wellies get her noticed. Or is it actually her trim tummy and newfound self-confidence? And what about Joe, who’s worried about getting his bunny boiled by an out-of-control mistress? Oh, darling, it’s all so ironic. And all written in the present tense, too . . . .
Come back, Jemima J (2000)!Pub Date: May 18, 2004
ISBN: 0-7679-1226-8
Page Count: 432
Publisher: Broadway
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: April 1, 2004
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
