by Jane Jensen & Robert Holmes & developed by Signus Labs & Pinkerton Road ‧ RELEASE DATE: Oct. 25, 2012
Spectacular illustrations and digital diversions drive this sweet tale of two Vermont bulldogs in search of a purpose.
Having learned that dogs are supposed to have jobs and, from a peek online, that bulldogs were bred to hold bulls’ noses, Lucy and Lola embark on a cross-country quest. It takes them from Wall Street’s bronze bull to a dairy farm, South Dakota (in search of “Sitting Bull”), a western rodeo and other bullish locales—all of which are laid out on a retractable map of the United States. A laid-back California bull finally lets them take an anticlimactic grab (“His nose was cold, wet and not very exciting. ‘I guess it isn’t the same if the bull lets you,’ Lucy said”). He then clues them in before a happy closing reunion with their frantic human family: “A dog’s job is…to bring comfort and joy to the human heart.” The dogs’ wrinkled mugs steal the show in the photorealistic visuals, but the plethora of interactive elements aren’t far behind. Along with the map, a multi-entry encyclopedia of dog breeds, two paint boxes and 13 dexterity-based minigames, 286 animations or sound effects respond to screen taps (as an incentive to start over, readers are presented at the end with a tally of how many they found). Furthermore, the narrative is available in either “Picture Book” or “Chapter Book” versions, with optional audio readings and an auto-play option. A doggy road trip with nary a dull moment…no bull. (free sampler in iTunes) (iPad storybook app. 5-9)
Pub Date: Oct. 25, 2012
ISBN: N/A
Page Count: -
Publisher: Pinkerton Road
Review Posted Online: Dec. 2, 2012
Kirkus Reviews Issue: Dec. 15, 2012
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by Loren Long & illustrated by Loren Long ‧ RELEASE DATE: Sept. 1, 2009
Continuing to find inspiration in the work of Virginia Lee Burton, Munro Leaf and other illustrators of the past, Long (The Little Engine That Could, 2005) offers an aw-shucks friendship tale that features a small but hardworking tractor (“putt puff puttedy chuff”) with a Little Toot–style face and a big-eared young descendant of Ferdinand the bull who gets stuck in deep, gooey mud. After the big new yellow tractor, crowds of overalls-clad locals and a red fire engine all fail to pull her out, the little tractor (who had been left behind the barn to rust after the arrival of the new tractor) comes putt-puff-puttedy-chuff-ing down the hill to entice his terrified bovine buddy successfully back to dry ground. Short on internal logic but long on creamy scenes of calf and tractor either gamboling energetically with a gaggle of McCloskey-like geese through neutral-toned fields or resting peacefully in the shade of a gnarled tree (apple, not cork), the episode will certainly draw nostalgic adults. Considering the author’s track record and influences, it may find a welcome from younger audiences too. (Picture book. 5-8)
Pub Date: Sept. 1, 2009
ISBN: 978-0-399-25248-8
Page Count: 40
Publisher: Philomel
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2009
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SEEN & HEARD
by Adam Wallace ; illustrated by Andy Elkerton ‧ RELEASE DATE: Sept. 1, 2017
Only for dedicated fans of the series.
When a kid gets the part of the ninja master in the school play, it finally seems to be the right time to tackle the closet monster.
“I spot my monster right away. / He’s practicing his ROAR. / He almost scares me half to death, / but I won’t be scared anymore!” The monster is a large, fluffy poison-green beast with blue hands and feet and face and a fluffy blue-and-green–striped tail. The kid employs a “bag of tricks” to try to catch the monster: in it are a giant wind-up shark, two cans of silly string, and an elaborate cage-and-robot trap. This last works, but with an unexpected result: the monster looks sad. Turns out he was only scaring the boy to wake him up so they could be friends. The monster greets the boy in the usual monster way: he “rips a massive FART!!” that smells like strawberries and lime, and then they go to the monster’s house to meet his parents and play. The final two spreads show the duo getting ready for bed, which is a rather anticlimactic end to what has otherwise been a rambunctious tale. Elkerton’s bright illustrations have a TV-cartoon aesthetic, and his playful beast is never scary. The narrator is depicted with black eyes and hair and pale skin. Wallace’s limping verses are uninspired at best, and the scansion and meter are frequently off.
Only for dedicated fans of the series. (Picture book. 5-8)Pub Date: Sept. 1, 2017
ISBN: 978-1-4926-4894-9
Page Count: 40
Publisher: Sourcebooks Jabberwocky
Review Posted Online: July 14, 2017
Kirkus Reviews Issue: Aug. 1, 2017
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