LOLA AND LUCY'S BIG ADVENTURE

Spectacular illustrations and digital diversions drive this sweet tale of two Vermont bulldogs in search of a purpose.

Having learned that dogs are supposed to have jobs and, from a peek online, that bulldogs were bred to hold bulls’ noses, Lucy and Lola embark on a cross-country quest. It takes them from Wall Street’s bronze bull to a dairy farm, South Dakota (in search of “Sitting Bull”), a western rodeo and other bullish locales—all of which are laid out on a retractable map of the United States. A laid-back California bull finally lets them take an anticlimactic grab (“His nose was cold, wet and not very exciting. ‘I guess it isn’t the same if the bull lets you,’ Lucy said”). He then clues them in before a happy closing reunion with their frantic human family: “A dog’s job is…to bring comfort and joy to the human heart.” The dogs’ wrinkled mugs steal the show in the photorealistic visuals, but the plethora of interactive elements aren’t far behind. Along with the map, a multi-entry encyclopedia of dog breeds, two paint boxes and 13 dexterity-based minigames, 286 animations or sound effects respond to screen taps (as an incentive to start over, readers are presented at the end with a tally of how many they found). Furthermore, the narrative is available in either “Picture Book” or “Chapter Book” versions, with optional audio readings and an auto-play option. A doggy road trip with nary a dull moment…no bull. (free sampler in iTunes) (iPad storybook app. 5-9)

 

Pub Date: Oct. 25, 2012

ISBN: N/A

Page Count: -

Publisher: Pinkerton Road

Review Posted Online: Dec. 3, 2012

Kirkus Reviews Issue: Dec. 15, 2012

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A larger-than-life subject is neatly captured in text and images.

THURGOOD

The life journey of the first African American to serve on the United States Supreme Court and the incidents that formed him.

Thurgood Marshall grew up in segregated Baltimore, Maryland, with a family that encouraged him to stand for justice. Despite attending poor schools, he found a way to succeed. His father instilled in him a love of the law and encouraged him to argue like a lawyer during dinner conversations. His success in college meant he could go to law school, but the University of Maryland did not accept African American students. Instead, Marshall went to historically black Howard University, where he was mentored by civil rights lawyer Charles Houston. Marshall’s first major legal case was against the law school that denied him a place, and his success brought him to the attention of the NAACP and ultimately led to his work on the groundbreaking Brown v. Board of Education, which itself led to his appointment to the Supreme Court. This lively narrative serves as an introduction to the life of one of the country’s important civil rights figures. Important facts in Marshall’s life are effectively highlighted in an almost staccato fashion. The bold watercolor-and-collage illustrations, beginning with an enticing cover, capture and enhance the strong tone set by the words.

A larger-than-life subject is neatly captured in text and images. (author’s note, photos) (Picture book/biography. 5-9)

Pub Date: Sept. 3, 2019

ISBN: 978-1-5247-6533-0

Page Count: 40

Publisher: Schwartz & Wade/Random

Review Posted Online: June 10, 2019

Kirkus Reviews Issue: July 1, 2019

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ABIYOYO RETURNS

The seemingly ageless Seeger brings back his renowned giant for another go in a tuneful tale that, like the art, is a bit sketchy, but chockful of worthy messages. Faced with yearly floods and droughts since they’ve cut down all their trees, the townsfolk decide to build a dam—but the project is stymied by a boulder that is too huge to move. Call on Abiyoyo, suggests the granddaughter of the man with the magic wand, then just “Zoop Zoop” him away again. But the rock that Abiyoyo obligingly flings aside smashes the wand. How to avoid Abiyoyo’s destruction now? Sing the monster to sleep, then make it a peaceful, tree-planting member of the community, of course. Seeger sums it up in a postscript: “every community must learn to manage its giants.” Hays, who illustrated the original (1986), creates colorful, if unfinished-looking, scenes featuring a notably multicultural human cast and a towering Cubist fantasy of a giant. The song, based on a Xhosa lullaby, still has that hard-to-resist sing-along potential, and the themes of waging peace, collective action, and the benefits of sound ecological practices are presented in ways that children will both appreciate and enjoy. (Picture book. 5-9)

Pub Date: Oct. 1, 2001

ISBN: 0-689-83271-0

Page Count: 40

Publisher: Simon & Schuster

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Sept. 15, 2001

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