A consistently compelling war story that expertly balances multiple plotlines and perspectives.
Rosenthal presents a World War II–era adventure novel, set mostly in the Yucatán jungle in the 1940s.
Early on, a frame story introduces an elderly Solly Meisner living in North Carolina in 2008, exasperating both his daughter, Izzy, and his full-time caregiver with his stubborn independence. During an episode of dementia, he begins to reveal long-kept secrets about his past that lead Izzy, a retired archaeologist, to question everything she think she knows about her family. Most of the story, however, takes place in 1941, in the months before the invasion of Pearl Harbor and shortly after Solly has, by chance, survived a bombing that targeted his band of brigadistas fighting in the Spanish Civil War. A U.S. government agent with the Office of the Coordinator of Information sends Solly to spy on suspected Nazi activity in Mexico, blackmailing him into doing so by threatening to expose Solly’s record as a Communist Party member and revolutionary fighter in Spain. The young lawyer accepts, but he’s certain that the mission will end with his death. In a dilapidated hacienda in the Yucatán, he meets three other Jewish exiles who’ve fled horrors in Europe, some bored expats, and, eventually, Nazi operatives. In addition to chapters from the perspectives of Solly and Izzy, readers get scenes in diary entries of Solly’s aristocratic ex-lover, Estelle, and from the point of view of Grace Weintraub, a Hollywood script doctor. Each narrative voice is distinctive, and the characters and settings throughout are beautifully drawn, from care facilities to remote hotels: “The first-floor patio was abuzz with chatter, a flurry of waiters running around like mad, supplying distraught guests with mineral water or spirits.” The various mysteries unfold at a gratifying pace, and the frame story generates tension between the past and present; readers get action sequences worthy of 1940s Hollywood, as well as an examination of the lingering effects of past choices.
A consistently compelling war story that expertly balances multiple plotlines and perspectives.Pub Date: March 11, 2025
ISBN: 9781647428501
Page Count: 328
Publisher: She Writes Press
Review Posted Online: Nov. 19, 2024
Kirkus Reviews Issue: Feb. 1, 2025
Review Program: Kirkus Indie
BOOK REVIEW
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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