Engrossing. Smiley takes science history and injects it with a touch of noir and an exciting clash of vanities.
Pulitzer Prize–winning novelist Smiley (Private Life, 2010, etc.) looks at the curious personalities and tortured paths that led to the first computer(s).
As in her novels, the author displays a talent for keeping a dozen fully realized characters on stage. While John Atanasoff is certainly a likely candidate for “the man who invented the computer,” plenty of strange, captivating people were concurrently at play in the same field. “The story of the invention of the computer,” writes Smiley, “is a story of how a general need is met by idiosyncratic minds, a story of how a thing that exists is a thing that could have easily existed in another way, or, indeed, not existed at all.” But it did exist, and in permutations galore, the brainchildren of a host of atypical men: geniuses, cranks, the impossibly remote, the backroom dealer. The author provides vivid characterizations of each: Atanasoff, enterprising, hardworking and so highly directed that he could have been an Asperger’s candidate; Alan Turing, a computer visionary who couldn’t build a birdhouse; Konrad Zuse, a German reduced to scavenging pieces of material for his machine from the bombed-out streets of Berlin “without getting shot for looting”; John von Neumann, who contributed important architectural features to computer design and whose upper-class connections allowed him great freedom. Smiley captures the men in their evolving milieus—at universities and in war rooms and business offices—and notes that they sometimes came into contact. One example was the meeting between Atanasoff and John Mauchly, another computer designer, a brief encounter in which Atanasoff revealed the workings of his machine, and ultimately led to the patent case that was found in Atanasoff’s favor as the inventor of the first “automatic electronic digital computer for solving large systems of simultaneous linear equations.”
Engrossing. Smiley takes science history and injects it with a touch of noir and an exciting clash of vanities.Pub Date: Oct. 12, 2010
ISBN: 978-0-385-52713-2
Page Count: 256
Publisher: Doubleday
Review Posted Online: Aug. 10, 2010
Kirkus Reviews Issue: Sept. 1, 2010
A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...
The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990).
Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.
Pub Date: Jan. 1, 1996
ISBN: 0-679-42850-X
Page Count: 320
Publisher: Villard
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 1995
SEEN & HEARD
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
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