Her most ferocious novel since the Pulitzer Prize–winning A Thousand Acres (1991) and every bit as good.
Smiley roars back from the disappointing Ten Days in the Hills (2007) with a scarifying tale of stifling marriage and traumatizing losses.
Bookish, shrewdly observant Margaret Mayfield discomfits most men in turn-of-the-20th-century Missouri, but she needs to get married. Her father committed suicide when she was eight, shortly after one of her brothers was killed in a freak accident and the other died from measles. Widowed Lavinia Mayfield makes it clear to her three daughters that decent marriages are their only hope for economic security, and the best bookish Margaret can do is Andrew Early, whose checkered intellectual career is about to take him to a naval observatory in California. He’s graceless and self-absorbed, but perhaps it’s enough that he and Margaret share a fascination with “the strange effervescence of the impending twentieth century.” It isn’t. During the years 1905 to 1942, we see Margaret increasingly infuriated by the subordination of her life to Andrew’s all-consuming quest to find order in a universe that she knows all too well “makes no sense.” Their disparate responses to the death of Andrew’s mother in the 1906 San Francisco earthquake and of their infant son in 1909 (the latter among the saddest pages Smiley has ever written) begin Margaret’s alienation. It’s compounded over decades by seeing in her sister-in-law Dora’s journalism career an example of the independent, fulfilled existence Margaret might have achieved if she’d had the courage—and, not at all incidentally, the money. A shady Russian refugee gives Margaret a few moments of happiness, but nothing to make up for Andrew’s final betrayal during World War II—denouncing a Japanese-American family she’s fond of as spies. The novel closes with Margaret at last asserting herself, but that hardly makes up for a lifetime of emotions suppressed and chances missed. Rage and bitterness may not be the most comfortable human emotions, but depicting them takes Smiley’s formidable artistry to its highest pitch.
Her most ferocious novel since the Pulitzer Prize–winning A Thousand Acres (1991) and every bit as good.Pub Date: May 1, 2010
ISBN: 978-1-4000-4060-5
Page Count: 320
Publisher: Knopf
Review Posted Online: Dec. 22, 2010
Kirkus Reviews Issue: Jan. 15, 2010
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
Inspired by disclosures of a real-life Florida reform school’s long-standing corruption and abusive practices, Whitehead’s...
The acclaimed author of The Underground Railroad (2016) follows up with a leaner, meaner saga of Deep South captivity set in the mid-20th century and fraught with horrors more chilling for being based on true-life atrocities.
Elwood Curtis is a law-abiding, teenage paragon of rectitude, an avid reader of encyclopedias and after-school worker diligently overcoming hardships that come from being abandoned by his parents and growing up black and poor in segregated Tallahassee, Florida. It’s the early 1960s, and Elwood can feel changes coming every time he listens to an LP of his hero Martin Luther King Jr. sermonizing about breaking down racial barriers. But while hitchhiking to his first day of classes at a nearby black college, Elwood accepts a ride in what turns out to be a stolen car and is sentenced to the Nickel Academy, a juvenile reformatory that looks somewhat like the campus he’d almost attended but turns out to be a monstrously racist institution whose students, white and black alike, are brutally beaten, sexually abused, and used by the school’s two-faced officials to steal food and supplies. At first, Elwood thinks he can work his way past the arbitrary punishments and sadistic treatment (“I am stuck here, but I’ll make the best of it…and I’ll make it brief”). He befriends another black inmate, a street-wise kid he knows only as Turner, who has a different take on withstanding Nickel: “The key to in here is the same as surviving out there—you got to see how people act, and then you got to figure out how to get around them like an obstacle course.” And if you defy them, Turner warns, you’ll get taken “out back” and are never seen or heard from again. Both Elwood’s idealism and Turner’s cynicism entwine into an alliance that compels drastic action—and a shared destiny. There's something a tad more melodramatic in this book's conception (and resolution) than one expects from Whitehead, giving it a drugstore-paperback glossiness that enhances its blunt-edged impact.
Inspired by disclosures of a real-life Florida reform school’s long-standing corruption and abusive practices, Whitehead’s novel displays its author’s facility with violent imagery and his skill at weaving narrative strands into an ingenious if disquieting whole.Pub Date: July 16, 2019
ISBN: 978-0-385-53707-0
Page Count: 224
Publisher: Doubleday
Review Posted Online: Jan. 20, 2019
Kirkus Reviews Issue: Feb. 1, 2019
PERSPECTIVES
SEEN & HEARD
SEEN & HEARD
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
