For the most part, the surreal and tenuously connected pieces of this novel build an intriguing and intense narrative of...
A mysterious and frequently beautiful short novel by Unrue (Writing/Harvard; Life of a Star, 2010, etc.) pulls the reader into a sequence of heady, surreal vignettes that add up to more of a sensual experience than a coherent story.
A woman wanders through a strange hotel and an unnamed city, searching for a man or a child—in this novel, details and time are both often elusive—on behalf of a seductive and sinister couple who live on a luxurious estate. Hints of back story and plot come through, but the novel seems to be less about the pull of story and more about the power of atmosphere, feeling, and how perfectly chosen, lavishly described details can make the reader flesh out an enormous world in the space between them. “I was recalling information so ornately,” the woman says, and she does, remembering and describing in images that are full of color, texture and sensation. The voice of the novel comes from inside her head, with sentences that are often disjointed and rhythmically uncomfortable, jumping from thought to memory without concern for linear storyline or traditional structure. Some pages are empty except for a few words, transforming the turn of a page into a noticeable rhythmic event. Everything could exist in either a dream or a nightmare, and certain vignettes push the novel into the realm of the fantastical with snippets of other stories that feel like fairy tales. A man searches for his wife in a forest, unaware that the trees move of their own volition. A man watches his sons turn into wolves and murder a couple.
For the most part, the surreal and tenuously connected pieces of this novel build an intriguing and intense narrative of feeling, even if the story itself remains unclear.Pub Date: Feb. 2, 2015
ISBN: 978-0-8112-2270-9
Page Count: 208
Publisher: New Directions
Review Posted Online: Dec. 5, 2014
Kirkus Reviews Issue: Dec. 15, 2014
Sometimes funny, sometimes silly, sometimes quite sad—i.e., an accurate portrait of life in one's 50s.
The further adventures of Candace and her man-eating friends.
Bushnell (Killing Monica, 2015, etc.) has been mining the vein of gold she hit with Sex and the City (1996) in both adult and YA novels. The current volume, billed as fiction but calling its heroine Candace rather than Carrie, is a collection of commentaries and recounted hijinks (and lojinks) close in spirit to the original. The author tries Tinder on assignment for a magazine, explores "cubbing" (dating men in their 20s who prefer older women), investigates the "Mona Lisa" treatment (a laser makeover for the vagina), and documents the ravages of Middle Aged Madness (MAM, the female version of the midlife crisis) on her clique of friends, a couple of whom come to blows at a spa retreat. One of the problems of living in Madison World, as she calls her neighborhood in the city, is trying to stay out of the clutches of a group of Russians who are dead-set on selling her skin cream that costs $15,000. Another is that one inevitably becomes a schlepper, carrying one's entire life around in "handbags the size of burlap sacks and worn department store shopping bags and plastic grocery sacks....Your back ached and your feet hurt, but you just kept on schlepping, hoping for the day when something magical would happen and you wouldn't have to schlep no more." She finds some of that magic by living part-time in a country place she calls the Village (clearly the Hamptons), where several of her old group have retreated. There, in addition to cubs, they find SAPs, Senior Age Players, who are potential candidates for MNB, My New Boyfriend. Will Candace get one?
Sometimes funny, sometimes silly, sometimes quite sad—i.e., an accurate portrait of life in one's 50s.Pub Date: Aug. 6, 2019
ISBN: 978-0-8021-4726-4
Page Count: 272
Publisher: Grove
Review Posted Online: April 27, 2019
Kirkus Reviews Issue: May 15, 2019
SEEN & HEARD
BOOK TO SCREEN
SEEN & HEARD
Chicana writer Castillo (whose reputation until now has been mostly regional) brings a warm, sometimes biting but not bitter feminist consciousness to the wondrous, tragic, and engaging lives of a New Mexico mother and her four fated daughters. Poor Sofi! Abandoned by her gambler husband to raise four unusual girls who tend to rise from adversity only to find disaster. ``La Loca,'' dead at age three, comes back to life—but is unable to bear the smell of human beings; Esperanza succeeds as a TV anchorwoman—but is less successful with her exploitative lover and disappears during the Gulf War; promiscuous, barhopping Caridad—mutilated and left for dead—makes a miraculous recovery, but her life on earth will still be cut short by passion; and the seemingly self-controlled Fe is so efficient that ``even when she lost her mind [upon being jilted]...she did it without a second's hesitation.'' Sofi's life-solution is to found an organization M.O.M.A.S. (Mothers of Martyrs and Saints), while Castillo tries to solve the question of minority-writer aesthetics: Should a work of literature provide a mirror for marginalized identity? Should it celebrate and preserve threatened culture? Should it be politically progressive? Should the writer aim for art, social improvement, or simple entertainment? Castillo tries to do it all—and for the most part succeeds. Storytelling skills and humor allow Castillo to integrate essaylike folklore sections (herbal curing, saint carving, cooking)—while political material (community organizing, toxic chemicals, feminism, the Gulf War) is delivered with unabashed directness and usually disarming charm.
Pub Date: April 17, 1993
ISBN: 0-393-03490-9
Page Count: 256
Publisher: Norton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 1993
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