by Jane Vandenburgh ‧ RELEASE DATE: March 1, 2009
Effectively employing the author’s fiction-writing talents to tell her life story, this memoir will likely cause readers to...
Novelist Vandenburgh (The Physics of Sunset, 1999, etc.) writes lyrically about her chaotic life.
The author has mined this material before: Her acclaimed first novel, Failure to Zigzag (1989), featured a teenage narrator with a mentally disturbed mother and a father who committed suicide—all drawn, we see here, from Vandenburgh’s difficult early years in California. Her depressed and troubled father, with whom she was very close, was repeatedly arrested in gay bars. He committed suicide by throwing himself off the roof of his office building in 1958, when she was just nine years old. Her mother, a freethinking artist, quickly spiraled downward into insanity, and was committed to a mental hospital. Vandenburgh and her two brothers were taken to live with an aunt and uncle who already had four kids of their own. The first half of the book, which recalls this lonely and troubled childhood, is exquisitely written and awash with poignant, moving details, like her description of how she left down the lid of her record-player after her mother was committed so that it would keep trapped forever the air her mother had breathed. Vandenburgh also does a wonderful job of documenting her teenage sexual awakening—hence the memoir’s title—and deftly captures the era: “Drugs haven’t happened yet, but you can feel them on the edge of things, waiting like the crisp paper wrapper on a noisy present.” The second half, which jumps ahead to adulthood, doesn’t quite match the tour-de-force of her childhood memories, but the whole is nonetheless striking and insightful.
Effectively employing the author’s fiction-writing talents to tell her life story, this memoir will likely cause readers to seek out her novels.Pub Date: March 1, 2009
ISBN: 978-1-58243-459-9
Page Count: 320
Publisher: Counterpoint
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 2009
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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