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A POCKET HISTORY OF SEX IN THE TWENTIETH CENTURY

A MEMOIR

Effectively employing the author’s fiction-writing talents to tell her life story, this memoir will likely cause readers to...

Novelist Vandenburgh (The Physics of Sunset, 1999, etc.) writes lyrically about her chaotic life.

The author has mined this material before: Her acclaimed first novel, Failure to Zigzag (1989), featured a teenage narrator with a mentally disturbed mother and a father who committed suicide—all drawn, we see here, from Vandenburgh’s difficult early years in California. Her depressed and troubled father, with whom she was very close, was repeatedly arrested in gay bars. He committed suicide by throwing himself off the roof of his office building in 1958, when she was just nine years old. Her mother, a freethinking artist, quickly spiraled downward into insanity, and was committed to a mental hospital. Vandenburgh and her two brothers were taken to live with an aunt and uncle who already had four kids of their own. The first half of the book, which recalls this lonely and troubled childhood, is exquisitely written and awash with poignant, moving details, like her description of how she left down the lid of her record-player after her mother was committed so that it would keep trapped forever the air her mother had breathed. Vandenburgh also does a wonderful job of documenting her teenage sexual awakening—hence the memoir’s title—and deftly captures the era: “Drugs haven’t happened yet, but you can feel them on the edge of things, waiting like the crisp paper wrapper on a noisy present.” The second half, which jumps ahead to adulthood, doesn’t quite match the tour-de-force of her childhood memories, but the whole is nonetheless striking and insightful.

Effectively employing the author’s fiction-writing talents to tell her life story, this memoir will likely cause readers to seek out her novels.

Pub Date: March 1, 2009

ISBN: 978-1-58243-459-9

Page Count: 320

Publisher: Counterpoint

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 1, 2009

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BETWEEN THE WORLD AND ME

NOTES ON THE FIRST 150 YEARS IN AMERICA

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

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  • Pulitzer Prize Finalist

The powerful story of a father’s past and a son’s future.

Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Pub Date: July 8, 2015

ISBN: 978-0-8129-9354-7

Page Count: 176

Publisher: Spiegel & Grau

Review Posted Online: May 5, 2015

Kirkus Reviews Issue: July 1, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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