by Jane Vandenburgh ‧ RELEASE DATE: April 9, 2013
Sincere and at times even lyrical, but not especially compelling.
Novelist and memoirist Vandenburgh (Architecture of the Novel, 2010, etc.) tells the story of her relationships with two family dogs while exploring her own inner emotional landscapes.
Whistler came into the author’s uprooted life after she and her husband moved to Washington, D.C., from California. But the English springer spaniel soon went from being "two warm and fluffy handfuls of the purest joy" to "a fearful mass of jitters." Vandenburgh attributed the nervousness to his pedigreed background, until she realized that he may have been picking up and mirroring her own anxieties. Living apart from all she had known, including her own teenage children, she felt fearful, lonely and as though "[she'd] lost some element in [her] sense of cosmic usefulness." The author began seeing a therapist and then took Whistler to a trainer to help him overcome his problems. “Thousands of dollars” later, her dog evolved into an excellent companion upon whom she and her husband doted. When Whistler died tragically, the grief-stricken couple immediately adopted a puppy from an animal shelter and named him Thiebaud. From the start, this new dog seemed to revel in the simple joy of being alive. Vandenburgh and her husband eventually moved back to California, where Thiebaud shattered their fragile, hard-won peace by unexpectedly attacking another dog and plunging the family into conflict with the town's residents. Vandenburgh’s work is strongest in its depiction of the sometimes-intense, life-changing bonds that can form between humans and dogs. A lack of sustained reflection on the author’s internal conflicts, however, undermines the narrative’s impact on readers.
Sincere and at times even lyrical, but not especially compelling.Pub Date: April 9, 2013
ISBN: 978-1619021204
Page Count: 384
Publisher: Counterpoint
Review Posted Online: Jan. 20, 2013
Kirkus Reviews Issue: Feb. 1, 2013
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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