Unbelievable and unlikable characters undermine a well-developed setting.

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A fractured family deals with both a mother’s and a daughter’s need to run away.

Several years after her husband has left her for another woman, Jo packs up her three children and heads from Brighton to the London home of her grandparents, Dilys and Geoff, who raised her. But during the trip, while Jo is busy with rambunctious toddler Annie and reliable son Rob, sullen teenager Ella jumps from the train and runs away. As unthinkable as it seems, Jo does not panic, stop the train or even cancel her trip, but rather presses onward to London, telling Dilys and Geoff that Ella has simply opted to stay with her father. Back in Brighton, Ella guiltily skulks around, squatting in her family’s abandoned apartment, dropping in on her father and his new wife and spending time with friends. What she really seems to be doing is waiting for her mother’s boyfriend, Felpo; it was after a violent fight with him, when he accused her of sleeping with another man, that Jo decided to run away to London. Actually, Ella admits to Felpo, she made up the stories about Jo and her friend Trevor that sparked his jealousy. When Ella reunites with her father, Jo and her ex-husband must come together to try to pick up the pieces and build a more stable life for Ella and her younger siblings. Davey successfully uses the mundane details of daily life to conjure a drab and often unpleasant domestic setting. But no matter how miserable the family relationships, it’s difficult to accept Jo’s casual reaction to her daughter’s potentially tragic disappearance.

Unbelievable and unlikable characters undermine a well-developed setting.

Pub Date: Aug. 8, 2006

ISBN: 0-316-05997-8

Page Count: 208

Publisher: Back Bay/Little, Brown

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: June 15, 2006

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Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

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THE VANISHING HALF

Inseparable identical twin sisters ditch home together, and then one decides to vanish.

The talented Bennett fuels her fiction with secrets—first in her lauded debut, The Mothers (2016), and now in the assured and magnetic story of the Vignes sisters, light-skinned women parked on opposite sides of the color line. Desiree, the “fidgety twin,” and Stella, “a smart, careful girl,” make their break from stultifying rural Mallard, Louisiana, becoming 16-year-old runaways in 1954 New Orleans. The novel opens 14 years later as Desiree, fleeing a violent marriage in D.C., returns home with a different relative: her 8-year-old daughter, Jude. The gossips are agog: “In Mallard, nobody married dark....Marrying a dark man and dragging his blueblack child all over town was one step too far.” Desiree's decision seals Jude’s misery in this “colorstruck” place and propels a new generation of flight: Jude escapes on a track scholarship to UCLA. Tending bar as a side job in Beverly Hills, she catches a glimpse of her mother’s doppelgänger. Stella, ensconced in white society, is shedding her fur coat. Jude, so black that strangers routinely stare, is unrecognizable to her aunt. All this is expertly paced, unfurling before the book is half finished; a reader can guess what is coming. Bennett is deeply engaged in the unknowability of other people and the scourge of colorism. The scene in which Stella adopts her white persona is a tour de force of doubling and confusion. It calls up Toni Morrison’s The Bluest Eye, the book's 50-year-old antecedent. Bennett's novel plays with its characters' nagging feelings of being incomplete—for the twins without each other; for Jude’s boyfriend, Reese, who is trans and seeks surgery; for their friend Barry, who performs in drag as Bianca. Bennett keeps all these plot threads thrumming and her social commentary crisp. In the second half, Jude spars with her cousin Kennedy, Stella's daughter, a spoiled actress.

Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

Pub Date: June 2, 2020

ISBN: 978-0-525-53629-1

Page Count: 352

Publisher: Riverhead

Review Posted Online: March 15, 2020

Kirkus Reviews Issue: April 1, 2020

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ANIMAL FARM

A FAIRY STORY

A modern day fable, with modern implications in a deceiving simplicity, by the author of Dickens. Dali and Others (Reynal & Hitchcock, p. 138), whose critical brilliance is well adapted to this type of satire. This tells of the revolt on a farm, against humans, when the pigs take over the intellectual superiority, training the horses, cows, sheep, etc., into acknowledging their greatness. The first hints come with the reading out of a pig who instigated the building of a windmill, so that the electric power would be theirs, the idea taken over by Napoleon who becomes topman with no maybes about it. Napoleon trains the young puppies to be his guards, dickers with humans, gradually instigates a reign of terror, and breaks the final commandment against any animal walking on two legs. The old faithful followers find themselves no better off for food and work than they were when man ruled them, learn their final disgrace when they see Napoleon and Squealer carousing with their enemies... A basic statement of the evils of dictatorship in that it not only corrupts the leaders, but deadens the intelligence and awareness of those led so that tyranny is inevitable. Mr. Orwell's animals exist in their own right, with a narrative as individual as it is apt in political parody.

Pub Date: Aug. 26, 1946

ISBN: 0452277507

Page Count: 114

Publisher: Harcourt, Brace

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: Aug. 1, 1946

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