by Janet Lord Leszl ‧ RELEASE DATE: Sept. 14, 2007
A well-intended snapshot of one family’s experience with autism.
A dramatic look at the life of a single mother who learns her child is autistic and must re-frame her worldview accordingly.
In this earnest book that’s high on drama and light on tension, Cassie Delaine’s an ordinary college student on the night of her 21st birthday when a date with a handsome guy leaves her with more than just warm birthday wishes. Coincidentally, days later she learns she is also the newest lottery jackpot winner, a fact she keeps to herself. After she tragically loses her parents in a terrible accident shortly thereafter, Cassie learns she’s pregnant. Fast-forward three years, and Cassie’s a single mom, struggling with her high-energy, into-everything toddler. Young Brian is inflexible about his preferences and routines, won’t make eye contact and arches his back away from Cassie every time he’s picked up. Play dates are disasters, outings end in scenes, and Cassie passively wonders where her happy ending could be, while her frustration with the situation grows to the breaking point. Brian is finally diagnosed as autistic, and it shatters Cassie’s world–she must reconcile the child she believed Brian was with the child he is. When she connects with other moms at local support group, Cassie gets the opportunity to re-examine her idea of a happy ending while she learns how to best meet her son’s needs, balancing them with her own. As she gets more involved with her new friends, she finds unexpected but welcome respite, relief and new meaning in her life. The detailed prose, informative and heart-wrenching by turns, offers readers a glimpse into the lives–the good, the bad and even the ugly–of all kinds of families with autistic children with warmth and compassion.
A well-intended snapshot of one family’s experience with autism.Pub Date: Sept. 14, 2007
ISBN: 978-1-4196-6449-6
Page Count: -
Publisher: N/A
Review Posted Online: May 23, 2010
Review Program: Kirkus Indie
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by Margaret Atwood ‧ RELEASE DATE: Sept. 10, 2019
Suspenseful, full of incident, and not obviously necessary.
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Atwood goes back to Gilead.
The Handmaid’s Tale (1985), consistently regarded as a masterpiece of 20th-century literature, has gained new attention in recent years with the success of the Hulu series as well as fresh appreciation from readers who feel like this story has new relevance in America’s current political climate. Atwood herself has spoken about how news headlines have made her dystopian fiction seem eerily plausible, and it’s not difficult to imagine her wanting to revisit Gilead as the TV show has sped past where her narrative ended. Like the novel that preceded it, this sequel is presented as found documents—first-person accounts of life inside a misogynistic theocracy from three informants. There is Agnes Jemima, a girl who rejects the marriage her family arranges for her but still has faith in God and Gilead. There’s Daisy, who learns on her 16th birthday that her whole life has been a lie. And there's Aunt Lydia, the woman responsible for turning women into Handmaids. This approach gives readers insight into different aspects of life inside and outside Gilead, but it also leads to a book that sometimes feels overstuffed. The Handmaid’s Tale combined exquisite lyricism with a powerful sense of urgency, as if a thoughtful, perceptive woman was racing against time to give witness to her experience. That narrator hinted at more than she said; Atwood seemed to trust readers to fill in the gaps. This dynamic created an atmosphere of intimacy. However curious we might be about Gilead and the resistance operating outside that country, what we learn here is that what Atwood left unsaid in the first novel generated more horror and outrage than explicit detail can. And the more we get to know Agnes, Daisy, and Aunt Lydia, the less convincing they become. It’s hard, of course, to compete with a beloved classic, so maybe the best way to read this new book is to forget about The Handmaid’s Tale and enjoy it as an artful feminist thriller.
Suspenseful, full of incident, and not obviously necessary.Pub Date: Sept. 10, 2019
ISBN: 978-0-385-54378-1
Page Count: 432
Publisher: Nan A. Talese
Review Posted Online: Sept. 3, 2019
Kirkus Reviews Issue: Sept. 15, 2019
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edited by Margaret Atwood & Douglas Preston
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SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
by Chinua Achebe ‧ RELEASE DATE: Jan. 23, 1958
This book sings with the terrible silence of dead civilizations in which once there was valor.
Written with quiet dignity that builds to a climax of tragic force, this book about the dissolution of an African tribe, its traditions, and values, represents a welcome departure from the familiar "Me, white brother" genre.
Written by a Nigerian African trained in missionary schools, this novel tells quietly the story of a brave man, Okonkwo, whose life has absolute validity in terms of his culture, and who exercises his prerogative as a warrior, father, and husband with unflinching single mindedness. But into the complex Nigerian village filters the teachings of strangers, teachings so alien to the tribe, that resistance is impossible. One must distinguish a force to be able to oppose it, and to most, the talk of Christian salvation is no more than the babbling of incoherent children. Still, with his guns and persistence, the white man, amoeba-like, gradually absorbs the native culture and in despair, Okonkwo, unable to withstand the corrosion of what he, alone, understands to be the life force of his people, hangs himself. In the formlessness of the dying culture, it is the missionary who takes note of the event, reminding himself to give Okonkwo's gesture a line or two in his work, The Pacification of the Primitive Tribes of the Lower Niger.
This book sings with the terrible silence of dead civilizations in which once there was valor.Pub Date: Jan. 23, 1958
ISBN: 0385474547
Page Count: 207
Publisher: McDowell, Obolensky
Review Posted Online: April 23, 2013
Kirkus Reviews Issue: Jan. 1, 1958
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