by Janet Mock ‧ RELEASE DATE: Feb. 4, 2014
An enlightening, much-needed perspective on transgender identity.
One woman's authentic memoir about becoming her true self.
Being poor and black can be difficult enough, but being poor, black and transgender can appear nearly insurmountable in today's world. Nonetheless, with grit and determination, Mock accepted her position in life and moved ever forward toward her goal of becoming the woman she knew she was meant to be. With simple honesty, the author brings readers into the world of transgender identity, of what it meant and felt like to be born and thought of as a boy, only to know deep inside that she was not that boy. From learning her father was addicted to crack to the childhood sexual abuse she sustained to the street sex she performed to gain enough money for her sex-change operation, Mock allows readers into the deepest and darkest moments of her life. As she writes, "[w]hy tell your story if you're not going to tell it in its entirety?" The author also provides endearing stories of her moments of delight as she transitioned, the girlfriends who accepted her and aided her with makeup and clothes, the women who helped her out on the streets and the family members who embraced her regardless of her gender identity. Undercurrents of strong emotion swirl throughout this well-written book, as Mock constantly moves forward toward complete womanhood, and she freely discusses her thoughts on the world's view of transgender and "other" people. It is an eye-opening and unapologetic story that is much greater than mere disclosure; it is a necessary assessment that a transgender person is as normal as any other person who claims the title of normalcy and that gender and body shape do not form a person's identity.
An enlightening, much-needed perspective on transgender identity.Pub Date: Feb. 4, 2014
ISBN: 978-1-4767-0912-3
Page Count: 288
Publisher: Atria
Review Posted Online: Nov. 17, 2013
Kirkus Reviews Issue: Dec. 1, 2013
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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