A well-developed romance wrapped in an engaging and fast-paced Western, complete with strong protagonists, colorful...
An Irishwoman encounters intrigue and the search for a lost treasure when she moves to the Arizona Territory in this debut novel.
Sarah Ryan is heartbroken after the death of her father. Instead of remaining in Ireland, she intends to move to America, where her sister and brother-in-law, Mary and Ben McAllister, live in the Arizona Territory with their son, Will. Upon arriving in Arizona, she finds her world shattered by another tragic loss—Mary and Ben. They were murdered on their ranch, Hermit’s Rest, leaving their son an orphan. Grief-stricken, she resolves to stay and help Will and the ranch hand, Jeremy, run Hermit’s Rest. When Texas Ranger L.T. McAllister, Ben’s brother, comes to town with a suspect in the murders, the townspeople anticipate a quick resolution to the case; but the arrest draws the ire of the sheriff, Grant Simpson. He is less concerned about maintaining law and order than he is about finding a treasure known as the Lost Adams Diggings. L.T.’s arrival threatens his ironclad grip on the town and his plans to locate the treasure. As Sarah and L.T. settle in to life at Hermit’s Rest, they discover a powerful, mutual attraction, but secrets from his past, and a dangerous enemy, put their lives in danger. Squires’ briskly paced romance crackles with energy thanks to well-drawn characters and settings. Sarah, a sympathetic heroine, discovers a fierce inner strength through helping Will and Jeremy run Hermit’s Rest. She has a strong romantic foil in L.T. Although he declines to discuss some aspects of his past, his rugged appearance and tough demeanor belie a kind heart and honorable sense of justice. They are surrounded by a colorful cast of supporting characters, including Jeremy, a longtime ranch hand at Hermit’s Rest who may hold the key to finding the lost treasure. Squires’ use of historical details bolsters her settings, particularly the depiction of everyday life in the Arizona Territory and the references to the Lost Adams Diggings.
Pub Date: Sept. 22, 2015
ISBN: 978-1-63355-755-0
Page Count: 338
Publisher: Whiskey Creek Press
Review Posted Online: March 24, 2016
Kirkus Reviews Issue: May 1, 2016
Review Program: Kirkus Indie
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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